Polygon.com has published a report stating that a prominent science-fiction filmmaker — described as ‘the king of sci-fi movies’ — will officially return to the genre with a new project arriving in approximately two weeks. The outlet has not yet disclosed the director’s identity or the specific title.
Emraan Hashmi’s action‑drama sequel opened to strong weekend numbers, yet the first weekday shows a steep drop that could test its long‑run prospects.
If Netflix’s psychological thriller ‘The Last House’ left you craving more isolated-setting dread and slow-burn tension, these seven films deliver similar chills through confined spaces, unreliable realities, and creeping paranoia.
The ‘Human Centipede’ creator reveals a 14-year private battle with multiple sclerosis in a genre-bending documentary that blurs reality and satire, now streaming on YouTube.
Marvel’s latest web-slinger adventure has officially become the highest-grossing Hollywood release ever in India, marking a watershed moment for superhero cinema in the region. The Destin Daniel Cretton-directed film continues Tom Holland’s tenure as Peter Parker with a fresh narrative that has resonated powerfully with Indian audiences.
Tamil star Sivakarthikeyan has shared enthusiastic feedback about his involvement with the project known as ‘DC,’ highlighting the creative synergy between directors Lokesh Kanagaraj and Arun Matheswaran alongside composer Anirudh Ravichander. The actor’s remarks offer a rare glimpse into what appears to be a high-profile collaboration brewing in the Tamil film industry.
From ‘Evil Dead 2’ to ‘Sharknado,’ a growing wave of horror filmmakers are deliberately crafting ‘bad’ movies with wit and self-awareness. We explore how intentional camp has evolved from cult curiosity to a recognized subgenre, and why audiences keep coming back for the irony.
Viewers are searching for streaming options for the thriller ‘The End of Oak Street.’ We break down confirmed platform availability and explain why definitive answers remain elusive for this title.
The Times of India reports that a Lokesh Kanagaraj-directed feature has crossed ₹64.38 crore in worldwide gross after seven days. The publication refers to the title as “DC” in a comparative piece alongside “GDN,” though full titles and release details remain unconfirmed by the studio.
A surge of sequel announcements — from the long‑awaited Awarapan 2 to the record‑breaking Gadar 2 — signals that Hindi cinema is leaning heavily on familiar franchises to lure audiences back to theatres. Industry insiders explain why nostalgia has become the most bankable currency in Bollywood today.