Leaked Report Details Fallout if Paramount Follows Through on California Exit Threat
Nearly 58,000 jobs and $21 billion in annual losses are on the line as the Oct. 1 merger deadline approaches.
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WME’s Sleek New Headquarters Give Agents Every Reason to Come to the Office (Exclusive)
A four-year Gensler overhaul has turned the agency’s frankensteined Beverly Hills headquarters into a town square — Wolfgang Puck downstairs, 400 artworks upstairs. The firm hopes its employees won’t ever want to leave.
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SkyShowtime May Be Sold or Shut Down, Board Warns In Memo Shared With Staff (Exclusive)
Joint owners Comcast and Paramount have launched a “review of strategic options,” according to a letter sent to the streaming service’s CEO Monty Sarhan Monday.
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Why Should Hollywood Get a Federal Tax Credit? Nearly $250 Billion Is On the Table, Study Says
A report commissioned by the studio trade group the Motion Picture Association projected that a federal tax credit could sustain roughly 143,500 full-time equivalent jobs annually.
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Justice Department Sides With Paramount on Demand That States Post $1.88 Billion Bond
The government stressed that it concluded in its investigation that the merger won’t undermine competition.
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Cinelease Buys Two Quixote Divisions As It Scales Up Hollywood Studio Services
The Louis Dargenzio-owned and Mark Lamberton-run supplier has acquired Grip & Lighting and Pro Supplies assets from the Hudson Pacific firm, which is laying off 60 staffers.
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Jon Voight Explains What He’s Up to as Trump’s Special Ambassador to Hollywood
The 87-year-old Academy Award winner sat down with The Hollywood Reporter to discuss his approach to lobbying for a federal tax credit at the White House: “We have an opening here, we have some sunlight, it’s going to happen.”
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It’s a Date: Paramount, California AG and Writers Guild Agree on Meeting for Settlement Talks
The Oct. 14 talks will be the first time the two sides formally sit down to discuss a resolution to the case.
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‘American Idol’ Moving Production From L.A. to Georgia
The relocation of the long-running music competition series is a hit to the city’s production sector.
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James Cameron’s Lightstorm Acquires 3D Tech Production Company Outsyders (Exclusive)
Outsyders worked with Cameron for 3D work on Paramount’s ‘Billie Eilish – Hit Me Hard and Soft: The Tour,’ and on films like ‘Lilo & Stitch’ and ‘Blue Angels.’
