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Tom Holland and Jon Bernthal have revealed how their friendship helped create a more humorous atmosphere while filming Marvel’s upcoming film Spider-Man: Brand New Day. The two actors had previously worked together on Christopher Nolan’s highly anticipated epic The Odyssey. Holland described that experience as remarkable but demanding. After completing work on Nolan’s film, the actors moved on to the new Spider-Man project. Holland said the change in atmosphere was immediate. According to Holland, the pair spent around six weeks working in an improvised and relaxed environment. They frequently joked on set and looked for new ways to add humour to the upcoming movie. Holland said their off-screen relationship also influenced the connection between their characters. He explained that the relationship originally written in the script changed significantly during production. Holland credited Bernthal’s acting and creative input for helping shape the final dynamic. Bernthal also spoke warmly about his long-standing relationship with Holland. The actor said he had known Holland since the British star was 17. The two had even worked together on audition tapes for the Marvel Cinematic Universe before Holland became widely known for playing Spider-Man. Bernthal praised Holland’s development as an actor and said he remained impressed by his personality. He described Holland as kind, hardworking and grounded despite his enormous success in Hollywood. The upcoming film will bring Holland’s Spider-Man together with Bernthal’s Punisher. Their partnership is expected to be one of the major attractions of the new Marvel project. The actors’ comments suggest that their real-life friendship played an important role in developing the chemistry between their characters.

Christopher Nolan’s The Odyssey explores a character who is far from a conventional hero. Odysseus is brave, intelligent and determined. He is also deeply flawed. That complexity appears to be at the centre of Nolan’s interest in the ancient Greek epic. The nearly 3,000-year-old story follows Odysseus as he attempts to return to Ithaca after the Trojan War. His journey is filled with violence, loss, temptation and encounters with powerful gods and mythical creatures. Yet the film is not simply about a warrior trying to find his way home. It is also about the consequences of his decisions. Odysseus repeatedly makes choices that produce consequences he struggles to control. His actions often begin with understandable motives. Revenge, anger, pride and a desire to protect his men push him into increasingly dangerous situations. His treatment of the Trojans is one example. Odysseus considers himself a man who respects the rules of combat. However, the Trojan War forces him into tactics that contradict his personal principles. The wooden horse becomes the most striking example of this conflict. His deception helps the Greeks defeat Troy, but it also establishes a chain of events that follows him long after the war ends. His encounter with the Cyclops Polyphemus further exposes his weaknesses. Odysseus and his crew manage to escape the Cyclops’ cave. But instead of leaving quietly, Odysseus attacks again. His decision is driven by anger and revenge. The consequences are devastating. Polyphemus calls upon his father, Poseidon, to punish Odysseus. The resulting curse turns the journey home into an extended ordeal. Odysseus continues trying to save his men. However, his efforts repeatedly end in tragedy. One decision leads to another, and the consequences gradually become impossible to contain. His crew members begin to lose faith in their commander. The man determined to bring them home becomes the leader whose decisions ultimately contribute to their deaths. This moral conflict is familiar territory for Nolan. The director has repeatedly built stories around protagonists whose choices carry enormous consequences. Bruce Wayne, for example, attempts to protect Gotham by allowing a dangerous lie surrounding Harvey Dent to survive. The consequences eventually force him to confront the price of that decision. In Oppenheimer, the central character develops the atomic bomb in an attempt to help defeat Nazi Germany. Yet his success leaves him haunted by the destructive power he helped unleash. Dunkirk presents another interpretation of home. For the soldiers trapped on the beaches of France, home represents survival, safety and the possibility of returning with their dignity intact. For Oppenheimer, however, home becomes something more complicated. It represents the peace of mind he can no longer recover after witnessing the consequences of his work. For Odysseus, home is deeply personal. Ithaca represents his family, his kingdom and the identity he lost during two decades away. Returning home is therefore more than reaching a physical destination. His journey changes him. He leaves as a king and eventually returns disguised as a beggar. Along the way, he encounters monsters, hostile forces and divine punishment. He also watches his companions disappear one by one. By the time Odysseus reaches the end of his journey, the question is no longer simply whether he can return home. The bigger question is whether a man who has experienced so much violence can ever truly return as the person he once was. That question sits comfortably within Nolan’s broader storytelling style. His characters often achieve their goals but pay an enormous personal price. Their victories rarely come without consequences. The Odyssey brings that recurring theme to one of its most ancient and powerful forms. Odysseus survives the journey, but survival does not erase what happened along the way. His homecoming becomes a reckoning with the violence, losses and choices that shaped him. Nolan’s interpretation therefore turns the epic into more than an adventure story. It becomes a meditation on guilt, responsibility, identity and the lasting cost of extraordinary choices. At its heart, The Odyssey asks what happens when a man spends years fighting to return home, only to discover that the journey has changed the meaning of home itself.

Pakistani showbiz personalities Mathira and Sahiba have become the centre of attention on social media after videos from a fashion show went viral. The videos were widely shared by users. However, their runway walk itself was not the main reason for the attention. Instead, viewers focused on several incidents that took place during the fashion show. Mathira and Sahiba were among several celebrities who walked the runway during the event. The show featured a number of participants who appeared on the catwalk one after another. However, several participants struggled to maintain their balance while walking. Some were seen stumbling. Others appeared to come close to falling. The unusual moments were captured on video. The clips were later shared across social media platforms. The videos quickly attracted the attention of users. Many viewers began discussing the condition of the runway. Several social media users claimed that the runway appeared uneven. They suggested that its condition may have made it difficult for participants to walk properly. Some viewers questioned whether the runway had been properly inspected before the fashion show. Others criticised the event organisers. They said the catwalk should have been checked carefully before participants were allowed to walk on it. One social media user claimed that the runway was visibly damaged. The user said the problem should have been identified and fixed before the event. Another user pointed out that several participants appeared to struggle while walking. The comments were not limited to criticism of the organisers. Some users also discussed the skills required for runway walking. They argued that walking confidently on a fashion runway requires professional practice and training. According to these users, models and celebrities need to be comfortable with different types of catwalk surfaces. The viral videos have generated mixed reactions online. Some users focused on the condition of the runway. Others commented on the participants’ walking techniques. The incident has also raised questions about safety arrangements at fashion events. A properly prepared runway is important for participants because even a minor surface problem can affect their balance. The videos continue to circulate on social media. Users are sharing the clips while offering different explanations for what happened. Neither Mathira nor Sahiba’s runway appearance was the only part of the event discussed online. Instead, the moments when participants stumbled became the main talking point. The incident has once again highlighted how quickly unusual moments at entertainment events can attract attention on social media.

Pakistani actor Hamza Sohail has grabbed attention on social media with his latest appearance. Fans were quick to compare his new look with Salman Khan’s iconic character Chulbul Pandey from the Bollywood film Dabangg. Hamza recently shared a short mirror video on his Instagram Story. He appeared in a noticeably different style. The actor was seen wearing glasses and sporting a thick moustache. His new appearance was a clear change from his usual clean-shaven look. The unexpected transformation immediately caught the attention of his followers. Fans began discussing his new style across social media platforms. Several users compared Hamza’s moustache-and-glasses look to Salman Khan’s portrayal of police officer Chulbul Pandey. The character became widely popular after Salman Khan played the role in the blockbuster Dabangg franchise. Fans praised Hamza’s latest appearance in the comments and online posts. Many described him as a “hero” and a “90s-style hero”. Others called him extremely dashing. Several fans also used fire emojis to show their appreciation for the new look. The new appearance comes as Hamza continues to attract attention both for his acting and his personal life. Rumours surrounding Hamza Sohail and actress Sajal Aly have also recently gained momentum on social media. However, the latest discussion surrounding the actor has largely focused on his dramatic change in appearance. Hamza is considered one of the prominent young actors in Pakistani television. He is the son of renowned actor and comedian Sohail Ahmed. Despite coming from an established entertainment family, Hamza has worked to build his own identity in the industry. The actor began his television career with the drama Raqeeb. His performance helped him establish himself as a young talent. He later gained wider recognition through the comedy drama Fairy Tale. The show brought him considerable popularity among television viewers. Hamza subsequently appeared in Zard Patton Ka Bunn. His performance in the drama was also appreciated by audiences. Over the years, the actor has continued to experiment with different roles and appearances. His latest style has once again placed him in the spotlight. The comparison with Salman Khan’s Chulbul Pandey has added further interest to his new appearance.

Singer-songwriter Madison Beer has announced her engagement to NFL quarterback Justin Herbert, sharing the joyful news with fans through her official Instagram account. The surprise announcement quickly captured widespread attention, marking a major personal milestone for the couple after months of public appearances and growing speculation about their relationship. Beer revealed the engagement by posting a collection of photographs from the proposal, which took place in a scenic outdoor setting surrounded by flowers and mountain views. The images showed Herbert getting down on one knee before the pair embraced and celebrated the moment together. Keeping the caption simple yet meaningful, Beer wrote, “meet my fiancé,” confirming the engagement to her millions of followers. The post immediately drew an outpouring of congratulations from fans, friends, and fellow celebrities, with many celebrating the couple’s happy news in the comments. Within hours, the announcement had generated millions of likes and widespread discussion across social media platforms. Beer and Herbert were first linked romantically in 2025 before making their relationship public. Since then, they have occasionally shared glimpses of their life together while largely maintaining a private relationship. Earlier this year, Herbert also made an appearance in Beer’s “Lovergirl” music video, giving fans another look at their partnership beyond the headlines. Beer has built a successful music career through projects including Life Support and Silence Between Songs, earning praise for her emotional songwriting and powerful vocals. Herbert, meanwhile, has established himself as one of the NFL’s leading quarterbacks, admired for his performances on the field and calm leadership. Although the couple has not announced wedding plans or shared additional details about the ceremony, the engagement marks an exciting new chapter in both of their lives. For fans who have followed Beer’s journey over the years, the Instagram announcement offered a heartfelt glimpse into a deeply personal moment, one that was celebrated around the world almost instantly after it was shared. https://www.forbes.com/sites/jeffbenjamin/2026/07/28/madison-beer-engaged-to-nfl-star-justin-herbert/

Dakota Johnson has undergone a dramatic transformation, debuting platinum blonde hair to portray Hollywood icon Marilyn Monroe in the upcoming short film Flesh Impact. Newly released first-look images showcase the actress with Monroe’s signature curled hairstyle, bold red lipstick, and famous beauty mark, offering audiences an early glimpse of one of her most striking screen appearances to date. Written and directed by Academy Award-nominated filmmaker Maggie Gyllenhaal, Flesh Impact is a 17-minute short film created to mark what would have been Monroe’s 100th birthday. Rather than telling the story of Monroe’s life through a conventional biographical approach, the project presents an imaginative exploration of her legacy by examining both the woman the world knew and the future she never had the chance to experience. Johnson portrays Monroe during the height of her Hollywood career, while Academy Award-winning actress Ellen Burstyn plays an imagined older version of the screen legend. The cast also includes Sepideh Moafi and Peter Sarsgaard, adding further depth to the film’s unique interpretation of Monroe’s enduring influence. Gyllenhaal has described the project as an opportunity to look beyond Monroe’s glamorous public image and reflect on the complexity, vulnerability, and resilience that defined her life. The filmmaker aims to celebrate Monroe not simply as a global celebrity but as a woman whose story continues to resonate with audiences around the world decades after her death. Flesh Impact is set to make its world premiere at the 2026 Venice International Film Festival, where Ellen Burstyn will also be honoured with the prestigious Golden Lion for Lifetime Achievement. Following the release of the first images, Johnson’s transformation has already generated widespread attention, with many praising the actress’s remarkable resemblance to Monroe. More than six decades after her passing, Marilyn Monroe remains one of cinema’s most recognisable and influential figures, remembered for classics including Some Like It Hot, Gentlemen Prefer Blondes, and The Seven Year Itch. With Flesh Impact, Gyllenhaal and her cast hope to honour Monroe’s lasting legacy while offering audiences a thoughtful and imaginative perspective on the Hollywood icon’s extraordinary life. https://www.instagram.com/p/DbVfWs0Dpab/?igsh=Z3hwZjhteGdydXB5

American actor and musician Jared Leto is facing new public allegations of sexual misconduct after 10 women came forward in a BBC documentary titled _Jared Leto: Hollywood’s Dark Secret_. The film focuses on claims that span more than a decade, between 2002 and 2016. During that period Leto was in his 30s and 40s. He is now 54. The women allege they encountered Leto when they were teenagers or in their early 20s. Four of the women detail what they describe as criminal sexual conduct. One woman said she was sexually assaulted in a motel bathroom when she was 17. Another said Leto threatened her with sexual assault when she was 19. A third alleged she had sex with Leto in California at age 17. In California the legal age of consent is 18, meaning the act would be classified as statutory rape. She told the BBC that when she raised the issue of age, Leto dismissed it. A fourth woman alleged she was groomed by Leto from age 16, including receiving multiple sexually explicit phone calls in which he suggested they have sex. Beyond those four, four other women told the BBC they received repeated phone calls from Leto that were strange and often sexual in nature while they were still young. They said the calls left them uncomfortable and confused at the time. The BBC said it attempted to verify the accounts. According to the broadcaster, friends and family members of several women confirmed they were told about the encounters with Leto at the time they happened. In some cases the BBC said it had reviewed photographs and messages that supported parts of the women’s statements. The documentary also includes testimony from two men who worked with Leto’s band, Thirty Seconds to Mars, for many years. Both described an uneasy atmosphere among crew members regarding Leto’s interactions with young female fans. They said staff observed Leto inviting teenage girls backstage to his dressing room and to the house where the band was recording. “I think everyone thought the age gap was way too big,” one of them said in the film. Leto did not respond to the BBC’s requests for comment ahead of the documentary’s release. Representatives for the actor have not issued a public statement as of press time. The program also references the broader conversation around Leto online. The BBC reported it had counted more than 120 separate allegations posted online over the years relating to Leto’s behavior toward women, some of them dating back more than a decade. Leto is a well-known Hollywood actor and Academy Award winner. His credits include _Dallas Buyers Club_, for which he won Best Supporting Actor, _Suicide Squad_, and the recent _Masters of the Universe_. He is also the lead singer of the rock band Thirty Seconds to Mars. No criminal charges have been filed in connection with the allegations detailed in the documentary.

Actor Gohar Rasheed, known for his versatility and outspoken nature, has sparked a fresh round of public debate after sharing his views on Aurat March during a recent podcast appearance, taking particular issue with what he described as vulgar posters that appear at the annual women’s rights march. Rasheed drew a comparison between two things he sees as similarly problematic. He said that women should not be objectified, and in that spirit, item numbers in films should not exist because they reduce women to objects. He then extended that same logic to certain placards that appear at Aurat March, arguing that some posters cross a line into vulgarity and do not represent an appropriate way to communicate ideas or demands. He said the same points could be made in a more sophisticated manner without resorting to language or imagery that he found objectionable. The remarks touched on one of the most consistently contested topics in Pakistani public life. Aurat March, held annually on March 8 in major cities across Pakistan to mark International Women’s Day, has been a flashpoint for debate since its earliest editions. Supporters argue it is a necessary and long-overdue platform for women to voice demands around safety, equality and rights. Critics, including Rasheed, have frequently taken issue with specific posters that appear at the marches, arguing that certain slogans or images do not reflect the broader values of Pakistani society. The response online was immediate and divided, as it tends to be whenever the march becomes the subject of public commentary. Some users agreed with Rasheed. One person wrote: “He is right. Now Aurat Marchers will go against him,” anticipating the backlash while expressing support for the sentiment. Others pushed back sharply. One commenter wrote: “I wish he was this offended by violence against women and child rape,” arguing that the energy directed at posters would be better channelled toward the far graver issues women face daily. Another said: “Three men mansplaining what women should do or not do,” pointing to the irony of male voices deciding what is and is not an appropriate mode of feminist expression. The division in the comments reflects the genuine complexity of the debate. For those who support Aurat March unconditionally, the criticism of posters is a distraction from the march’s core purpose and represents the kind of policing of women’s expression that the march itself is pushing back against. For those who share Rasheed’s view, the concern is that certain forms of communication within the march alienate potential allies and hand critics easy ammunition to dismiss the broader cause. What is clear from the reaction is that this is a conversation Pakistan has not finished having, and that every public voice that enters it, whether from the entertainment industry or elsewhere, adds another layer to a debate that touches on deeply held values about gender, expression and what it means to advocate for change.