Cortis urges fans to put phones down

Christopher Nolan’s The Odyssey explores a character who is far from a conventional hero. Odysseus is brave, intelligent and determined. He is also deeply flawed. That complexity appears to be at the centre of Nolan’s interest in the ancient Greek epic. The nearly 3,000-year-old story follows Odysseus as he attempts to return to Ithaca after the Trojan War. His journey is filled with violence, loss, temptation and encounters with powerful gods and mythical creatures. Yet the film is not simply about a warrior trying to find his way home. It is also about the consequences of his decisions. Odysseus repeatedly makes choices that produce consequences he struggles to control. His actions often begin with understandable motives. Revenge, anger, pride and a desire to protect his men push him into increasingly dangerous situations. His treatment of the Trojans is one example. Odysseus considers himself a man who respects the rules of combat. However, the Trojan War forces him into tactics that contradict his personal principles. The wooden horse becomes the most striking example of this conflict. His deception helps the Greeks defeat Troy, but it also establishes a chain of events that follows him long after the war ends. His encounter with the Cyclops Polyphemus further exposes his weaknesses. Odysseus and his crew manage to escape the Cyclops’ cave. But instead of leaving quietly, Odysseus attacks again. His decision is driven by anger and revenge. The consequences are devastating. Polyphemus calls upon his father, Poseidon, to punish Odysseus. The resulting curse turns the journey home into an extended ordeal. Odysseus continues trying to save his men. However, his efforts repeatedly end in tragedy. One decision leads to another, and the consequences gradually become impossible to contain. His crew members begin to lose faith in their commander. The man determined to bring them home becomes the leader whose decisions ultimately contribute to their deaths. This moral conflict is familiar territory for Nolan. The director has repeatedly built stories around protagonists whose choices carry enormous consequences. Bruce Wayne, for example, attempts to protect Gotham by allowing a dangerous lie surrounding Harvey Dent to survive. The consequences eventually force him to confront the price of that decision. In Oppenheimer, the central character develops the atomic bomb in an attempt to help defeat Nazi Germany. Yet his success leaves him haunted by the destructive power he helped unleash. Dunkirk presents another interpretation of home. For the soldiers trapped on the beaches of France, home represents survival, safety and the possibility of returning with their dignity intact. For Oppenheimer, however, home becomes something more complicated. It represents the peace of mind he can no longer recover after witnessing the consequences of his work. For Odysseus, home is deeply personal. Ithaca represents his family, his kingdom and the identity he lost during two decades away. Returning home is therefore more than reaching a physical destination. His journey changes him. He leaves as a king and eventually returns disguised as a beggar. Along the way, he encounters monsters, hostile forces and divine punishment. He also watches his companions disappear one by one. By the time Odysseus reaches the end of his journey, the question is no longer simply whether he can return home. The bigger question is whether a man who has experienced so much violence can ever truly return as the person he once was. That question sits comfortably within Nolan’s broader storytelling style. His characters often achieve their goals but pay an enormous personal price. Their victories rarely come without consequences. The Odyssey brings that recurring theme to one of its most ancient and powerful forms. Odysseus survives the journey, but survival does not erase what happened along the way. His homecoming becomes a reckoning with the violence, losses and choices that shaped him. Nolan’s interpretation therefore turns the epic into more than an adventure story. It becomes a meditation on guilt, responsibility, identity and the lasting cost of extraordinary choices. At its heart, The Odyssey asks what happens when a man spends years fighting to return home, only to discover that the journey has changed the meaning of home itself.

Bollywood actor Preity Zinta has described becoming a mother as the most significant milestone of her life, saying family has taken priority over her successful film career during her years away from the spotlight. The actor, who was among Bollywood’s leading stars in the early 2000s, stepped away from acting after marrying in 2016 and later welcoming her children in 2021. Her last on-screen appearance was in Bhaiaji Superhit in 2018, and she is now set to return with Batwara 1947. Speaking in a recent interview, Preity said she never felt the absence of films during her break because she was focused on building her family. She explained that while she has enjoyed many career achievements, raising her children has been the most meaningful accomplishment of her life. According to the actor, motherhood brought a new perspective that became valuable while preparing for her latest role. In Batwara 1947, Preity portrays a Muslim woman living in Lahore during the Partition of India. The story follows her family after her husband, played by Sunny Deol, shelters a Hindu woman amid the violence and upheaval of 1947. The actor said her own experience of putting family first helped her relate to the emotions and decisions of her character. She noted that if family remains her top priority today, she can only imagine how much more important it would have been for people living through the uncertainty of Partition. Preity also admitted she felt nervous returning to the camera after such a long break. She recalled that director Rajkumar Santoshi scheduled one of the film’s most emotionally demanding scenes on the very first day of shooting, leaving her anxious about her performance. She praised co-star Sunny Deol for making the experience easier, describing him as a supportive, kind and encouraging colleague who helped her regain confidence during filming. After completing the challenging opening scenes, Preity said she gradually became comfortable on set and found herself settling back into acting. Batwara 1947 also marks Preity Zinta’s reunion with Sunny Deol after eight years, with the two actors sharing the screen once again following their last collaboration in Bhaiaji Superhit.