Kate Middleton reportedly steps in amid alleged royal will dispute

Rod Liddle, the outspoken newspaper columnist and broadcaster, has died at the age of 66 following a short illness. He passed away at The James Cook University Hospital in Middlesbrough on Sunday evening. Liddle built a long and colourful career in British media. He wrote regular columns for both the Sun and the Sunday Times. He also contributed a weekly column to the Spectator. Beyond print, he hosted a show on Times Radio, reaching audiences across multiple platforms for decades. His children, Wilder, Tyler, and Emmy, shared a heartfelt tribute following his passing. They described feeling shocked and saddened by how suddenly he’d gone. They said their father raised them to be curious, courageous, and quick with humour, just as anyone might expect from him. Even during his final weeks in hospital, they said he stayed remarkably composed. According to his children, he consistently held the room and never let the awful situation show. They spoke of the legacy he left behind, calling him their model for living life fully and fearlessly. Rebekah Brooks, CEO of News UK, also paid tribute to her longtime colleague. She called him an inimitable journalistic force whose influence shaped British journalism for years. Brooks noted that Liddle never shied away from challenging popular opinion. She said his work left a lasting impression on the industry as a whole. She went on to describe him as brilliant and provocative, someone whose wit and fearless commentary became a fixture across News UK’s publications and shows for decades. Brooks added that his absence would be deeply felt, not just by colleagues but by the many readers, listeners, and viewers who followed his work over the years. She extended condolences to his family on behalf of everyone at News UK. Liddle’s career spanned print, radio, and television, and though he was often described as divisive, few would dispute the size of his footprint on British media. His voice, whether praised or criticized, was one that consistently sparked conversation, debate, and reaction across the industry. He leaves behind three children and a body of work that continues to define the sharper, more combative side of British journalism.

Abeer Asad Khan and Suleiman Hussain are among the Pakistani fashion models who have built recognition through stylish campaigns, editorial shoots, and collaborations with some of the country’s prominent designers. Both have remained visible in the fashion industry through lawn, bridal, and high-fashion projects, while Abeer Asad Khan has also gained attention through major magazine features and industry recognition. The two models recently became the center of an online debate after appearing together in a new photoshoot for designer Malik Yasir. Inspired by the visual style of the Bollywood classic Raam Leela, the shoot features Abeer Asad and Suleiman Hussain in an intimate and dramatic setting. The project was styled and directed by Nabia Saqib and Abdullah Siddiqui and has attracted considerable attention across social media. While fashion enthusiasts appreciated the styling, photography, and cinematic presentation, the shoot also received strong criticism from a section of social media users. Several commenters objected to what they considered the intimate nature of the shoot and argued that such fashion campaigns do not reflect the cultural and religious values they expect from Pakistani celebrities. One social media user criticized the shoot by claiming that obscenity was becoming increasingly common in Pakistan and questioned why people were not speaking against it. Another commenter made a personal remark about Abeer Asad Khan’s past, while someone else pointed out that she had recently performed Umrah and questioned her choice of participating in such a photoshoot afterward. The Bollywood-inspired theme also became a major point of discussion. One user said the visuals appeared heavily influenced by Indian cinema and questioned why Pakistani fashion creatives could not develop concepts that were more closely connected to Islamic and local cultural traditions. Others used humor and sarcasm to compare the models with Bollywood stars Ranveer Singh and Deepika Padukone, describing them as the “poor man’s Ranveer and Deepika.” The criticism did not stop at the models themselves. Some social media users argued that provocative fashion campaigns were becoming increasingly common in Pakistan and claimed that the industry was gradually moving away from traditional cultural boundaries. A few commenters also questioned why fashion models were not criticized as heavily as family vloggers when controversial content appeared online. There were also accusations that celebrities and models sometimes participate in such shoots primarily for financial gain and publicity. However, supporters of the fashion industry may view such projects as artistic expressions that experiment with international cinema, contemporary styling, and visual storytelling. The photoshoot has therefore sparked a wider discussion about the balance between artistic freedom, fashion trends, cultural identity, and social expectations in Pakistan. As the images continue circulating online, Abeer Asad Khan and Suleiman Hussain remain at the center of the debate, with social media users expressing sharply divided opinions about the controversial campaign.

Stephen Mangan has opened up about how he continues sharpening his acting skills after years in the industry. The British actor shared his approach in a recent chat with Candis magazine. Known for stepping across acting, comedy and presenting, Mangan expressed genuine happiness with the variety his career has offered. He’s currently linked to “The Truth” on the West End stage. He said he feels genuinely delighted to stay busy with work that actually interests him. According to Mangan, variety has always been the spice of life for him professionally. Reflecting on his career path, Mangan joked that his younger self, a law student at the time, would have been amazed by how things eventually turned out. He seemed genuinely surprised by his own journey into entertainment. When asked about his secret to improving as an actor, Mangan offered an unexpected comparison. He explained that becoming a better chess player requires playing against someone stronger than you. He said the same principle applies directly to acting. According to Mangan, working alongside talented collaborators has consistently pushed him to grow, something he considers himself fortunate to have experienced throughout his career. Looking ahead, Mangan revealed he is eager to explore more stage work and potentially even musical theatre. He admitted there are several plays he’d love to take on in the future. However, he remained cautious about tackling a musical, joking that despite being able to sing in tune, pulling one off convincingly still feels like a tall order. Still, he added that he’d never rule it out completely. Mangan also revealed a longtime creative ambition of his own. He said he would like to eventually write his own play and already has an idea in mind for it. Beyond acting, Mangan has built a diverse presenting career, hosting shows like “Portrait Artist of the Year” and “Landscape Artist of the Year.” His acting credits include beloved comedy-dramas such as “Green Wing,” “Episodes” and “The Split,” cementing his reputation as one of British television’s most versatile performers.

Netflix has gone with an unconventional approach to promote its upcoming horror film, The Last House. The streaming giant transformed a regular billboard into a live psychological stunt above Hollywood traffic. The bizarre campaign involves a man hired by Netflix, who is now “living” inside a small room built into the billboard structure itself. Footage circulating widely on social media shows him going about everyday routines like reading and stretching in full public view. Commuters and passersby along Sunset Boulevard can watch him throughout the day. Unable to speak directly to the crowd below, the performer communicates using a whiteboard instead. The billboard itself is designed to resemble a vine-covered house, complete with a front door, drainage pipe and chimney. Beneath a window, an ominous message reads: how long can you survive? According to Netflix, the man will remain inside the structure from August 6 through August 8. The company described the stunt as an eerie echo of the film’s central storyline. In an official post, Netflix explained that the performer would try to carry on as normally as possible inside the enclosed space. His interactions with the public, they said, deliberately mirror the trapped predicament faced by the film’s characters. The Last House is a Netflix-presented horror thriller starring Greta Lee and Wagner Moura as parents Ann and Jason. The film also features Riley Chung and Noah Alexander Sosnowski as their children, Ruth and Graham. The story follows a family who find themselves trapped inside their own home, with a sinister threat lurking somewhere within its walls. The unconventional marketing push appears designed to build intrigue ahead of the film’s streaming debut. The Last House officially premiered on Netflix on August 7, giving audiences their first chance to see how the trapped-family concept plays out on screen.