poetry power 038

Poetry, Power & Humanity—IV Bulleh Shah: Be…

“The ‘I’ of Bulleh Shah represents man in his very essential capacity as a unit of creation”.
—Najm Hosain Syed, Recurrent Patterns in Punjabi Poetry 

Najm Hosain Syed’s reading of Bulleh Shah rescues one of Punjab’s most familiar poems from the ease of popular applause. Bullah ki jaana main kaun is commonly heard as a graceful confession that ultimate truth cannot be known. Najm sees something more demanding. Bulleh’s “I” is the elemental human being confronting the question “who?” Every answer offered by history—religion, institution, inherited status, nationality, relationship or dogma—tempts the seeker with a final identity. The poet accepts none as sufficient. His negatives are not an escape from commitment; they refuse to let any socially manufactured label exhaust the meaning of being human.

This makes Bulleh Shah indispensable to our inquiry into poetry, power and humanity. Shah Hussain crossed the narrow passage between possession and freedom [Poetry, Power & Humanity—III:  Shah Hussain: Crossing the Narrow Passage of Love & Rebellion, Minute Mirror, July 21, 2026]. Bulleh Shah interrogated the walls on either side. Who constructed them? Who benefits when human beings are separated into pure and impure, believer and unbeliever, ruler and subject, high-born and low-born? His poetry exposes how identity, initially a source of belonging, can be converted into an instrument of hierarchy.

اُٹھ گئے گوانڈھوں یار
رَبّا ہُن کیہ کریے
Uth gaye gawandhon yaar
Rabba hun ki kariye
The Beloved has left the neighbourhood;
Lord, what am I to do now?
اُٹھ چلّے ہُن رہندے ناہیں
ہویا ساتھ تیار
رَبّا ہُن کیہ کریے
Uth chale hun rehnde nahin
Hoya saath tayyar
Rabba hun ki kariye
He has risen and departed;
the caravan stands ready,
and he will remain no more.
Lord, what am I to do now?
ڈاڈھ کلیجے بل بل اُٹھے
بھڑکے بِرہوں نار
رَبّا ہُن کیہ کریے
Daadh kaleje bal bal uthe
Bharke birhon naar
Rabba hun ki kariye
The depths of my heart are aflame,
kindled by the fire of separation.
Lord, what am I to do now?
بُلھا شاہ پیارے باجھوں
رہے اُرار نہ پار
رَبّا ہُن کیہ کریے
Bulla Shah piyare bajhon
Rahe uraar na paar
Rabba hun ki kariye
Without the Beloved, says Bulleh Shah,
I remain stranded midstream,
reaching neither shore.
Lord, what am I to do now?

The kafi begins with departure, though it does not end in private sorrow. The familiar neighbourhood has lost its centre; the traveller is left between shores. This is the existential moment preceding Bulleh’s interrogation of identity. Once the familiar world departs, inherited answers can no longer shelter us. “What am I to do now?” becomes the cry of every human being whose social certainties have collapsed.

Bulleh Shah lived in a Punjab experiencing political dislocation, declining Mughal authority and sharpening religious and social conflict. His spiritual choice itself challenged inherited hierarchy. Born into a Syed family, he accepted Shah Inayat, traditionally identified with the Arain community, as his murshid. Knowledge and spiritual worth were thus placed above genealogy. Their relationship was not merely devotional; it denied the proposition that dignity could be inherited by one group and withheld from another.

His choice of Punjabi carried similar democratic force. Persian was associated with administration and cultivated elites; Arabic commanded religious authority. Punjabi was the living speech of cultivators, artisans, women, faqirs and labouring communities.

Through the kafi, philosophy ceased to be the exclusive property of courts and seminaries. It could be remembered, sung and transmitted without permission from those controlling formal knowledge. The kafi was central to Bulleh Shah’s poetic expression and to the wider Sufi traditions of Punjab and Sindh.

Bulleh’s resistance becomes sharper in the following kafi, where he compares the ostentatiously pious with dogs.

راتیں جاگیں کریں عبادت
راتیں جاگن کُتے
تیتھوں اُتے
Raatin jaagein karein ibaadat
Raatin jaagan kutte
Taithon utte
You remain awake at night in worship;
dogs keep vigil too—
and surpass you.
بھونکنوں بند مول نہ ہندے
جا روڑیں تے سُتے
تیتھوں اُتے
Bhonkanon band mool na honde
Ja roorin te sutte
Taithon utte
They never cease their watchful barking,
then sleep upon a refuse heap—
and surpass you.
خَسم اپنے دا در نہ چھڈدے
بھاویں وجن جُتے
تیتھوں اُتے
Khasam apne da dar na chhadde
Bhaven vajjan jutte
Taithon utte
They never abandon their Master’s door,
though struck repeatedly—
and surpass you.
بلھے شاہ کوئی رَخت وِہاج لے
نہیں تے بازی لے گئے کُتے
تیتھوں اُتے
Bulleh Shah koi rakht vihaaj lai
Nahin te baazi lai gaye kutte
Taithon utte
Bulleh Shah, acquire provisions for the journey,
or the dogs will carry away the prize—
and surpass you.

The poem reverses an established hierarchy with deliberate audacity. The dog, conventionally treated as impure, becomes the moral teacher; the visibly devout human being becomes the object of satire. Bulleh does not ridicule worship. He asks what worship is worth when it produces neither loyalty nor humility. The dog remains at its master’s threshold despite hunger, rejection and blows. The worshipper may remain awake, although ritual performed for reputation can coexist with pride, cruelty and the pursuit of power.

This distinction is critical. Bulleh Shah’s target is not religion but its conversion into social capital. Piety becomes another possession—something to display, trade and employ against others. In Erich Fromm’s terms, the mode of “having” invades faith: one “has” learning, sanctity, lineage and followers. Bulleh insists upon the mode of “being”, where truth appears through conduct rather than claim. The dog’s fidelity defeats the worshipper’s performance.

The same assault on borrowed identity culminates in three immortal lines:

بلھیا! کی جاناں میں کون Bulleya, ki jaana main kaun? Bulleh, how can I know who I am?
نہ میں مومن وچ مسیتاں
نہ میں وچ کفر دیاں ریتاں
Na main momin vich maseetan
Na main vich kufar diyan reetan
I am not confined to the believer in the mosque,
nor to the rituals called unbelief.
نہ میں موسیٰ، نہ فرعون Na main Moosa, na Firaun I am neither Moses nor Pharaoh.

Bulleh removes the available answers one after another. He is not contained by mosque or unbelief, purity or impurity, Moses or Pharaoh, Arab or Lahori. Najm Hosain Syed interprets this as contemplative self-questioning constructed like a riddle: mature experience proposes answers, while a childlike curiosity dissolves them. History presents its accumulated identities, but the refrain refuses to recognise any one of them as the final truth of a person.

Modern states and markets constantly manufacture such final answers. Citizens are reduced to sect, ethnicity, nationality, occupation, income, consumption and political affiliation. Digital culture adds measurable identities: followers, visibility and approval. Power thrives when these categories become more real than the human beings placed inside them. Economic systems perform a similar reduction by translating human worth into ownership, productivity and purchasing capacity.

Bulleh Shah offers no programme of public policy, though he attacks the psychological foundation upon which exclusion rests. A person who knows himself only through superiority must continually manufacture an inferior other. Caste requires the low-born; sectarian certainty requires the heretic; nationalism without humanity requires the suspect outsider. Bulleh’s repeated “not this, not that” breaks these dependencies. It creates a moral space in which another person can be encountered without first being classified.

His poetry survived because Punjab carried it in its collective voice. Singers, shrine communities and ordinary people preserved what institutions might have domesticated or discarded. Popularity can soften rebellion into entertainment, as Najm cautions, although the kafis resist complete domestication. Their questions return whenever power converts religion into spectacle, lineage into entitlement, wealth into virtue or identity into a weapon.

Shah Hussain showed the cost of attachment and the possibility of crossing beyond it. Bulleh Shah makes the journey more unsettling. The walls are not merely outside us. They have entered our language, institutions and image of ourselves. Freedom begins when we question the labels through which power teaches us to recognise ourselves and others.

Bulleh’s answer is not that identity is meaningless. It is that no inherited identity is large enough to contain a human being. Love, humility and fidelity reveal more than lineage, ritual and public acclaim. The essential “I” remains creative, searching and unfinished. That is why his question continues to disturb us: Who are we when power can no longer name us?

[To be continued]

________________________________________________________________

Dr. Ikramul Haq, Advocate Supreme Court, writer, literary critic, Adjunct Faculty at Lahore University of Management Sciences (LUMS), member Advisory Board and Visiting Senior Fellow of Pakistan Institute of Development Economics (PIDE), holds an LLD in tax laws. He was full-time journalist from 1979 to 1984 with Viewpoint and Dawn. He also served Civil Services of Pakistan from 1984 to 1996.

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Maryam Nawaz also sent air-conditioned buses for the people of Kashmir, but they were stopped on the instructions of the Election Commission. Nevertheless, the message reached the people of Kashmir that the PML-N was in a position to do something to address their deprivation. This thinking could help the PML-N achieve further success in the next two phases as well. But the real decisions, after all, remain in the hands of those who possess the power and influence. In our country, writing and speaking the truth has become extremely difficult. There is immense pressure not only from powerful circles but also from violent and extremist mindsets. Their proxies can be found roaming freely in the streets. In normal states, something that would be considered ordinary or insignificant was used as a pretext to shut down the country’s largest media organisation, Geo, for two weeks. This alone gives an idea of the pressure facing the Jang newspaper and the national media. For this reason, the writer says he tries to avoid writing about national and domestic affairs and mostly focuses on international issues. Even there, however, he has to be careful not to write anything critical of China, Iran or certain other countries. Likewise, he says he cannot write anything supportive of India, Israel or certain other countries that might highlight a positive aspect or truth about them. This, he says, is the pressure he faces every moment. When it comes to Indian-administered Kashmir, we can freely write and speak about alleged government abuses without facing difficulty or objection. We can exaggerate as much as we want and add as much colour as we like. The violent militants there are portrayed as victims under all circumstances. But when it comes to our own Kashmir, we are expected to portray the movement for public rights as anti-state, Indian-sponsored and terrorist, regardless of how strongly its members insist that they are simply demanding rights for ordinary people. The organisation is not even named after any military or jihadist group. It is called the Jammu and Kashmir Joint Action Committee. It consists of local Kashmiri traders, transporters, workers, students and lawyers. These are ordinary citizens of the region. They demand rights for ordinary Kashmiris. They speak against rising inflation and call for reductions in the prices of wheat and flour. They oppose excessive privileges for the elite, misuse of public resources and corruption. They also demand an end to what they consider unjust taxes. Despite this, the organisation has not only been banned, but its workers have allegedly been arrested and subjected to violence in ways that are deeply disturbing. While witnessing all this, writers like us sometimes adopt deliberate ignorance and tell the members of the Awami Action Committee: “You make allegations against our sacred institutions. How could they possibly commit excesses against you?” We are told that these institutions are the reason this small part of Kashmir remains with us. We are also told that they have kept the Kashmir issue alive so that the entire region can eventually be recovered. Therefore, according to this argument, their praise and appreciation are justified. If, according to protesters, 30 or 35 people have so far been killed and around 300 injured during demonstrations, then we are also told to consider how many of our security personnel have

  • Colors of the Rain, Soul of Thar

    Thar a name that instantly evokes images of thirst, golden dunes, drought, Marvi, peacocks, the Karoonjhar Hills, rainwater ponds, love, and endless waiting. More than Pakistan’s largest desert, Thar is a living testament to patience, simplicity, love, and humanity’s timeless bond with nature. Here, every moment of life is connected to the sky. Even as the people of Thar walk upon the earth, their eyes remain fixed on the heavens, for their livelihood, livestock, crops, and happiness all depend upon the mercy of the clouds. As if giving voice to the very heart of Thar, Shaikh Ayaz wrote: “Whether it rains or not, Thar remains Thar; But when it rains, fresh blood begins to flow through every vein of life.” The greatest festival of Thar begins with the arrival of the rains. When the first raindrop falls upon the sun-scorched sands, the fragrance rising from the earth carries centuries of longing. It is a scene beyond the power of words. It feels as though the heart of the desert begins to beat again, every grain of sand takes a breath, and every withered plant offers gratitude to the Creator. Shah Abdul Latif Bhittai immortalized Thar through the voice of Marui in his poetry. To Marui, the sands of Thar were more precious than gold because they represented her identity. Shah’s message still echoes across every dune, village, and heart in Thar—that love for one’s homeland is the truest expression of human identity. Whenever Shaikh Ayaz wrote about Thar, his words carried the music of nature itself. For him, the monsoon was not merely a season—it was a revolution. A revolution that transformed barren sands into gardens, thirst into hope, and sorrow into joy. For most of the year, the people of Thar struggle against drought, scorching heat, water scarcity, unemployment, and poverty. Thousands of families migrate to irrigated regions in search of work. Women walk miles every day carrying water. Without grazing land, livestock become weak, and many young people leave for distant cities in search of livelihoods. Yet the moment the monsoon clouds appear on the horizon, lamps of hope begin to glow in every heart. Rain does not merely bring water it opens a new chapter of life. Within days of rainfall, the endless dunes transform into carpets of emerald green. The songs of peacocks, the calls of cuckoos, herds of goats, caravans of camels, and the fragrance of wildflowers carried by the breeze create a symphony that no modern city can ever reproduce. Rain-fed ponds fill with fresh water. Children leap with joy. Herders lead their animals to lush grazing lands. Thari women, dressed in brilliantly colored traditional attire, sing ancient folk songs. The entire landscape becomes a celebration of life. If there is one place where nature reveals its complete magnificence during the rainy season, it is the Karoonjhar Hills of Nagarparkar. When dark monsoon clouds embrace the granite peaks, seasonal waterfalls cascade down the rocks, and sparkling streams descend like ribbons of silver, it seems as though nature herself is painting with every color imaginable. Karoonjhar is more than a mountain it is a symbol of Thar’s history, culture, folklore, and resilience. Standing for centuries, these ancient hills have silently witnessed the rise and fall of civilizations, kings, ascetics, and the enduring stories of the people of the desert. During the rainy season, the famous Gaddi Hill in Mithi transforms into a lively cultural gathering. Families arrive in large numbers to enjoy the pleasant weather. Children delight in swings, visitors savor local cuisine and tea, artisans display handmade crafts, musicians perform on the rabab and algoza, and the warm hospitality of the people of Thar leaves every guest feeling at home. The construction of better roads from Mithi to Nagarparkar has significantly increased the number of visitors, yet much more remains to be done to develop tourism sustainably. Hidden beneath the sands of Thar lies a civilization thousands of years old. The Bhodesar Temples, Gori Temple, Virawah, ancient Jain monuments, historic wells, and old trade routes all stand as silent witnesses to the region’s glorious past. Sadly, many of these invaluable heritage sites still lack proper protection. Time, harsh weather, and neglect continue to erode them. If preserved according to international standards, Thar could become one of South Asia’s most remarkable cultural tourism destinations. However, alongside the beauty brought by the rains, another reality is emerging one that may threaten Thar’s future. Illegal occupation of natural grazing lands, the conversion of sand dunes into agricultural fields, and increasing environmental degradation are disturbing the delicate ecological balance of the desert. Livestock farming has always been the backbone of Thar’s economy. If natural grazing lands disappear, thousands of families will lose their primary source of income. Development that destroys nature is not progress—it is an injustice to future generations. Over the past two decades, climate change has increasingly affected Thar. Irregular rainfall, sudden cloudbursts, prolonged droughts, and extreme heat are steadily altering the region’s fragile ecosystem. The people of Thar still lack many basic necessities. Clean drinking water, quality healthcare, education, and employment opportunities remain scarce in many areas. While the rains temporarily ease their hardships, lasting solutions depend upon thoughtful and sustainable development. Tourism That Can Transform the Economy Thar possesses extraordinary tourism potential. Its breathtaking landscapes, rich cultural heritage, folk music, handicrafts, religious harmony, the majestic Karoonjhar Hills, desert safaris, camel caravans, and traditional cuisine offer experiences unlike anywhere else in the world. To unlock this potential, several important steps are needed: Historic and cultural heritage sites across Thar and Sindh should be preserved and restored, recognizing them not merely as relics of the past but as the identity of future generations. Modern visitor information centers should be established at major historical and cultural attractions to educate tourists about the region’s history, traditions, and natural beauty. Local youth should receive professional training as tour guides, creating employment opportunities while enabling them to confidently present their homeland’s heritage to the world. Tourism should be developed

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