rakhi sawant says
|

Rakhi Sawant says She would love to join Pakistani reality show Tamasha

 

Indian reality television personality Rakhi Sawant recently expressed her desire to become part of Pakistan’s popular reality show *Tamasha*, saying that if the programme had been filmed in Dubai, she would have loved to participate and “make the whole world go mad.”

Her comments were discussed during the podcast where host Adnan Siddiqui was asked whether he could handle Sawant if she joined the show. Siddiqui, who serves as the host of *Tamasha* and is known as the show’s “Badshah Salamat”, admitted that bringing Sawant onto the Pakistani programme would be difficult under current circumstances. However, he acknowledged that her participation would certainly make the show highly entertaining.

Siddiqui also revealed that Sawant’s admiration for *Tamasha* was not an isolated incident. According to him, the reality show has developed a following among Indian viewers since its first season, with audiences across the border regularly commenting on the programme.

The actor recalled receiving a phone call from renowned Indian comedian Johnny Lever, who praised his work on the show. Siddiqui remembered Lever telling him that he was doing a great job, a compliment he described as particularly meaningful.

For Siddiqui, the growing interest in *Tamasha* from Indian audiences is an important achievement, especially now that the programme has completed five seasons. He said that seeing viewers from India discuss and appreciate the show makes the entire team proud.

He recalled reading one Indian viewer’s comment that described the programme’s title as perfectly suited to the events inside the house. The viewer reportedly wrote that the contestants were truly creating a “spectacle” and said they had become interested in watching all the previous seasons after discovering the show.

*Tamasha* follows a reality television format that has gained worldwide popularity through the Dutch programme *Big Brother*. The format has been adapted in numerous countries, including India, where the show is known as *Bigg Boss* and is hosted by Bollywood superstar Salman Khan.

Earlier in the podcast, Rehman pointed out that some viewers compare Siddiqui’s hosting style with Khan’s, particularly when he reprimands contestants. Siddiqui responded light-heartedly, saying there was nothing wrong with the comparison because Khan is a major actor and he would not mind being compared with him.

Discussing the scale of *Tamasha*, Siddiqui said the production team had achieved considerable success despite operating with fewer resources than many international reality shows. He explained that the team tries to improve and expand the programme with every new season.

Siddiqui acknowledged that international versions often have larger teams, bigger budgets and more established production systems. Nevertheless, he argued that *Tamasha* should not be dismissed when compared with such programmes. He suggested that if an international reality show deserved a rating of 20, *Tamasha* could reasonably be considered an 18, reflecting the progress made by its team despite financial and logistical limitations.

The growing attention from Indian audiences, along with Sawant’s comments, highlights the cross-border popularity that *Tamasha* has managed to develop over the years.

Similar Posts

  • |

    Zainab Raja makes serious allegations about Tamasha

    Tamasha has become one of Pakistan’s most popular reality television shows since its launch on ARY Digital in 2022. Based on the format of Big Brother, the show brings celebrities and public figures together under one roof, where they compete in a variety of tasks while dealing with interpersonal conflicts, alliances and eliminations. After four successful seasons between 2022 and 2025, the fifth season is currently attracting considerable attention from viewers. The ongoing season has introduced several contestants who have quickly gained popularity among fans. Babrik Shah, Zee Khan, Laila, Samia Hijab and Esra are among the contestants who have emerged as prominent players this year. Tamasha Season 4, which aired last year, also received widespread attention. The season featured contestants including Saif Ali Khan, Muslim, Ommy, Zainab Raja, Kanwal Farooq and Yaseen. Zainab Raja, in particular, became known for her strong presence and performance during the competition. Following her appearance on the show, Zainab has remained active on social media, regularly sharing videos, opinions and updates with her followers. In a series of recent Instagram stories, she made several serious allegations concerning the reality show and claimed that certain aspects of the competition were not as they appeared on television. Zainab alleged that Tamasha was scripted and claimed that winners could be decided before the conclusion of a season. She also accused the show of providing preferential treatment to certain contestants. Among her most notable claims, Zainab alleged that one of the popular male contestants had been married and had two children while presenting himself as unmarried during his participation in the show. She claimed that contestants inside the house were aware of his marital status and that he eventually became one of the Top 5 contestants. However, she did not publicly name the contestant in her statements. Zainab also claimed that her comments about the show being scripted were edited from the broadcast. According to her, she directly told host Adnan Siddiqui, “Scripted hai aapka show,” but alleged that viewers were shown only her facial expressions while her actual response was removed from the final episode. She further claimed that contestants were not permitted to reveal certain details about what happened behind the scenes. The former contestant also raised questions about promotional activities surrounding the show. She claimed that public relations campaigns were carried out for contestants who eventually won or performed strongly in different seasons. Zainab suggested that software operators could be consulted to determine which contestants received promotional support and argued that several participants had benefited from such campaigns. Another issue she highlighted concerned the treatment of male contestants inside the house. Zainab alleged that male participants were permitted to leave the house to offer Friday prayers and were also given opportunities to communicate with their families through phone calls. She described what she considered differences in privileges as unfair treatment. Zainab’s allegations have generated discussion among fans of the reality show. However, the claims remain allegations made by the former contestant, and there has been no independent confirmation of the specific accusations mentioned in her social media posts. Tamasha continues to attract strong public interest, with viewers closely following the contestants, their relationships and the developments taking place inside the house.

  • |

    Ryan Reynolds fuels Deadpool comeback rumours at Comic-Con

    Ryan Reynolds thrilled Marvel fans with a surprise appearance at San Diego Comic-Con, sparking fresh speculation that Deadpool could feature in the upcoming Avengers: Doomsday. The 49-year-old actor made an unexpected entrance during Marvel Studios’ Hall H presentation on Saturday, delighting the audience by appearing in an unusual version of Deadpool’s iconic costume. Instead of the character’s signature red-and-black suit, Reynolds wore a denim outfit, playfully calling it a “Canadian tuxedo.” Remaining fully in character, Reynolds introduced himself as “Ricky” while pretending to be an enthusiastic fan attending the panel. “Huge fan, look at that cast. I’m not wearing the Doom mask over this mask because I didn’t want to ruin the look of my Canadian tuxedo. My name is Ricky, that’s a mononym, like Cher or Madonna, and I’m just cosplaying hard,” he joked, drawing loud cheers from the crowd. The humorous moment quickly shifted toward the much-anticipated Avengers: Doomsday. Reynolds jokingly asked whether there was still room for him in the film, fueling rumors that Deadpool could make an appearance despite no official announcement from Marvel Studios. Robert Downey Jr., who was also part of the panel, played along with the joke and teased Reynolds by saying the movie had already completed filming. “It’s in the can, bro. Look around you. Did you bump your head?” Downey Jr. responded, referring to the packed Hall H audience. Without breaking character, Deadpool continued the exchange, asking if there might still be “additional photography, no overages, maybe last-minute additions,” prompting more laughter from fans in attendance. The playful interaction immediately spread across social media, where Marvel fans began debating whether Reynolds had secretly hinted at Deadpool’s involvement in Avengers: Doomsday. Many viewers interpreted the appearance as a subtle clue that the popular antihero could join the next Avengers adventure. One fan confidently wrote that Reynolds was “100% confirmed” in their eyes, while others speculated that the exchange between Reynolds and Downey Jr. may have contained hidden hints about the film. Not everyone shared the same enthusiasm, however. Some social media users questioned Reynolds’ future in the franchise, while others offered mixed opinions about his Comic-Con appearance and the possibility of Deadpool joining the Avengers lineup. Despite the growing speculation, Marvel Studios has not officially confirmed whether Reynolds will reprise his role as Deadpool in Avengers: Doomsday. The actor’s appearance at Comic-Con appeared to be designed primarily as a comedic surprise, leaving fans guessing about what the future holds for the fan-favorite character. Avengers: Doomsday is scheduled to arrive in theaters worldwide on December 18, 2026. The highly anticipated superhero film will be the 39th installment in the Marvel Cinematic Universe and continues the saga that followed Avengers: Endgame. With anticipation continuing to build, fans are eagerly awaiting official announcements about the movie’s complete cast and any surprise appearances that may still be revealed before its release.

  • | |

    Qudsia Ali, Abbas Ashraf on unhealthy gender dynamics

    Pakistani dramas have long been a mirror to the society they come from, and Aik Mohabbat Aur is doing exactly that. The ongoing drama, in which Qudsia Ali plays Maham and Abbas Ashraf Awan plays Faris, explores the painful reality of marriages where women find themselves trapped with narcissistic partners. In a candid conversation with Fuchsia Magazine, the two actors stepped out of their fictional roles and spoke plainly about the dynamics they believe are damaging real relationships in Pakistan today. Abbas Ashraf was direct about where he believes the problem begins, and it is not with men themselves but with how they are raised. He said the narcissistic complex in men is a product of parenting, specifically the way sons are conditioned from childhood to feel superior to everyone around them. Parents, he argued, tell their sons they are the inheritors, the ones who matter, the ones who carry the family forward, while daughters are quietly assigned a lesser place. That imbalance, repeated across generations, plants the seeds of the entitlement and control that later destroys marriages. His prescription was as straightforward as his diagnosis. “Make both your sons and daughters feel equal if you want to stop your sons from becoming negative narcissists,” he said. It is a simple idea that carries enormous weight precisely because of how rarely it is practised. Qudsia Ali brought a different but equally sharp perspective to the same conversation, turning her focus toward the women who stay in difficult marriages long past the point of reason. Her explanation was rooted not in weakness but in a specific emotional wound. She said that many women are deprived of parental love from the very beginning of their lives. When they finally encounter even a fragment of affection from a partner, however temporary or conditional it may be, they hold on to it with everything they have because they have never known anything different. “Women are deprived of parental love and when they get even a glimpse of love, they lie down and take everything,” she said. “They take even a temporary love as they are extremely insecure.” The image is striking and uncomfortably accurate for anyone who has watched a woman accept treatment that from the outside looks impossible to justify. Qudsia did not offer this observation from a distance. She acknowledged that she herself had carried insecurities of her own, and that she had done the work to understand and overcome them. It was a moment of personal honesty that gave her words additional weight. Together, their observations form a connected picture of how the same system of unequal parenting produces both the men who expect everything and the women who accept anything. The drama they are appearing in explores exactly this territory on screen. But in this conversation, they chose to name it plainly off screen too, and that directness is what has made their remarks resonate beyond the usual boundaries of a promotional interview.

  • | |

    Noah Kahan slams White House over unauthorised song use.

    Noah Kahan has become the latest musician to publicly push back against the Trump administration after the White House used his music without permission, joining a growing list of artists who have objected to their songs being used in administration social media content. The dispute began when the White House posted photographs and video to both Instagram and TikTok showing President Trump touring General Motors’ Milford Proving Ground in Michigan. The posts were set to Kahan’s song American Cars, taken from his chart-topping album The Great Divide. The pairing was clearly intended to evoke a sense of American pride and manufacturing strength, but the artist whose voice and music gave the posts their soundtrack had not been consulted and had not given his approval. Fans were quick to notice and quickly alerted Kahan by tagging him in the comments. His response was direct and unambiguous. “Would never approve of my music being used in support of you or this administration,” he wrote beneath the post. The comment rapidly accumulated tens of thousands of likes, suggesting the sentiment resonated well beyond Kahan’s own fanbase. His frequent collaborator and co-writer on the track, guitarist Noah Levine, also left a response of his own beneath the White House post. His comment was reportedly more direct in its language than Kahan’s, though it was subsequently removed. At the time of publication, the song itself remained attached to the White House’s video despite both objections. The White House did not respond to requests for comment on Kahan’s objection. The incident is part of a pattern that has become increasingly familiar during the Trump administration’s social media operations. Just days before Kahan spoke out, Katy Perry criticised the White House for using her 2010 hit Firework in a TikTok post featuring footage of military strikes. “I’m deeply appalled and angry,” she wrote, adding that she had not approved its use and had not even been asked. Ariana Grande raised similar concerns in June after a version of her song Bye appeared in a White House TikTok post depicting ICE arrests. The list of artists who have previously objected to the administration’s use of their music is extensive. Sabrina Carpenter, Olivia Rodrigo, Celine Dion, Neil Young and the Rolling Stones have all at various points voiced comparable complaints, reflecting a consistent tension between an administration that appears to deploy popular music as a tool of political imagery and the musicians whose work is being used without their knowledge or consent. For Kahan, the issue was clearly not simply procedural but personal. His response made clear that the objection was not only about the absence of permission but about the specific association itself, one he said he would never willingly choose.

  • | |

    Denise Richards calls for honesty about cosmetic p…

    Denise Richards is speaking openly about cosmetic procedures, saying what frustrates her most is when celebrities and influencers deny having work done while promoting unrealistic beauty standards. The actress believes there is nothing wrong with choosing plastic surgery, but she feels people should be honest about it. Richards discussed the topic during the August 3 episode of the Dumb Blonde podcast, hosted by Bunnie Xo, the wife of country star Jelly Roll. The two women reflected on their own cosmetic procedures and shared why transparency matters, especially for younger generations who often compare themselves to celebrities online.  During the conversation, Bunnie Xo passionately criticized public figures who claim their youthful appearance comes only from skincare products or healthy habits. Richards agreed, saying she dislikes when people refuse to admit they have had cosmetic work while allowing others to believe their results are completely natural. She explained that such claims create unrealistic expectations for women and girls who may feel pressured to look the same.  Richards also opened up about her own experience with plastic surgery, revealing that she underwent a facelift after initially considering only a neck lift. Following discussions with a trusted friend and consultation with facial plastic surgeon Dr. Ben Talei, she decided a full procedure would create a more balanced result. The surgery included a facelift, neck lift, brow lift, eyelid surgery, lip lift and fat grafting.  The 55-year-old actress admitted she was terrified before going through with the operation because she has spent decades in the public eye. She knew people would notice the changes, making it impossible to hide the procedure. However, she now describes it as one of the best decisions she has made for herself, saying the goal was never to look like someone else but simply to restore the features she felt had changed with age.  Richards has long been candid about cosmetic enhancements. She previously spoke about getting breast implants at a young age and later needing revision surgery. She said she prefers openness over secrecy because it helps reduce the pressure placed on women to achieve impossible beauty standards without assistance.  Throughout the interview, Richards stressed that every woman should have the freedom to make personal choices about her appearance without fear of judgment. Whether someone decides to age naturally or undergo cosmetic procedures, she believes the decision should be respected. For Richards, the real issue is not plastic surgery itself but the dishonesty surrounding it. By sharing her own journey, she hopes to encourage more realistic conversations about beauty, aging and self-confidence while reminding people that authenticity is just as important as appearance. 

  • |

    Swedish DJ Axwell to headline Karachi’s first electronic music event

    Karachi is preparing to host its first-ever international electronic music event. Swedish DJ and producer Axwell will headline “First Light” on September 19 at Moin Khan Academy, DHA Sports Club, according to a statement from OP Productions. Axwell, whose real name is Axel Christofer Hedfors, is a member of the globally renowned group Swedish House Mafia. Organisers describe him as one of the most influential figures in modern electronic music. Conceived and creatively directed by OP Productions CEO Omer H Paracha, “First Light” draws its name from the symbolic moment of dawn breaking. According to the statement, the event has been designed as a cinematic, light-driven production, combining an international headliner with a custom-built stage, large-scale visuals, and a strong emphasis on audience safety and overall experience. Local acts Bilal Brohi and Hazey will open the night ahead of Axwell’s headline performance, organisers confirmed. OP Productions described Pakistan as one of the largest untapped markets in global live entertainment. The company pointed to the country’s population of more than 240 million and its notably young median age as key factors that make it an attractive destination for international touring artists. According to the organisers, “First Light” is intended to serve as a long-term platform for bringing global touring acts to Pakistan, positioning the country more firmly on the international live-entertainment map. Paracha said the event is meant to show the world what Pakistan is truly ready for. He added that Pakistanis deserve the chance to experience world-class live entertainment, and that the country has every right to claim its place on the global stage. He further stated that Pakistan already has the audience, energy and appetite for large-scale live events, and that “First Light” aims to prove the country is fully capable of hosting them. Tickets are being sold through Ticketwala, with Bronze, Silver, Gold, VIP and Platinum categories available. Limited early-bird pricing is currently on offer across select tiers. Organisers also confirmed a dedicated Pink section has been reserved exclusively for solo women, reflecting the event’s stated commitment to providing a safe, welcoming environment for all attendees. OP Productions describes itself as a Karachi-based live-entertainment company specialising in international artist bookings, large-scale event production, and ticketing operations across Pakistan.

Leave a Reply

Your email address will not be published. Required fields are marked *