lahores historic neela

How Lahore’s historic Neela Gumbad is emerging from decades of clutter

For generations of Lahoris, the name Neela Gumbad (Blue Dome) referred to a bustling commercial center. The kind of place you visited to purchase a bicycle, repair a motor tire, or navigate a maze of auto parts shops.  Behind Anarkali Bazaar, the name itself felt almost metaphoric, as the physical blue dome was impossible to see from the main street. The location was swallowed whole by decades of unregulated commercial expansion, illegal encroachments, dangling electrical wires, and storefronts. One of Lahore’s most significant 17th-century heritage landmarks had been completely erased from the public eye. Now, a major initiative led by Chief Minister Maryam Nawaz under the government’s heritage restoration project is finally breathing new life into the centuries-old monument.

The history of Neela Gumbad records back to 1673 during the reign of Mughal Emperor Aurangzeb. The complex was constructed as the final resting place and shrine for the venerated Sufi saint Sheikh Abdul Razzaq (often referred to as Abdur Razzaq Makki).  The tomb earned its famous moniker from Central Asian-style blue glazed tiles that adorned its central dome.

However, as Lahore expanded into a modern metropolis throughout the 20th century, the historic shrine fell victim to severe urbanisation. The area around the tomb transformed into the infamous Neela Gumbad Cycle Market. Bulky, multi-story cycle shops, workshops, and illegal extensions were constructed directly against the shrine’s perimeter walls. Over time, the once-spacious courtyard and surrounding greenery vanished. Therefore, reducing the ancient monument to a claustrophobic nook completely hidden by concrete, rusted signboards and traffic congestion. Visitors to the area could spend hours in the market without realizing that a 350-year-old Mughal-era tomb stood there behind the shops.

The ongoing restoration effort is radically altering the landscape of the area. To restore the monument’s historical dignity, the provincial government initiated a massive clearance operation. Recognizing the economic impact on local merchants, millions of rupees in compensation checks were distributed to dozens of affected shopkeepers and property owners surrounding the shrine prior to the clearance. Heavy machinery was then brought in to demolish the encroaching structures, exposing the weathered brickwork and original arches of the Neela Gumbad complex for the first time in nearly half a century.

The project goes beyond simply tearing down illegal shops. It represents a comprehensive attempt at placemaking. It reclaims public spaces for citizens while preserving historical identity.

The vision for the site includes a multi-level subterranean parking facility designed to permanently solve the chronic traffic congestion along Mall Road and Anarkali. The space surrounding the shrine is being converted into an open-air public piazza with pedestrian walkways, seating, green spaces, and night lighting. This plan will allow sightings of the blue dome from the main road once again. To preserve the historic commercial identity without compromising the architecture, bicycle vendors are being provided organized spaces within new facilities nearby. Specialized conservationists are working to restore the crumbling brickwork, repair structural damage, and revive the signature blue tiles of the shrine’s dome.

As heavy excavators continue clearing debris around the site, the historic silhouette of Neela Gumbad is once again visible. This ongoing revival project serves as a case for how South Asian megacities can reclaim their historic souls.

 

Similar Posts

  • Gustav Klimt’s “Lakeshore with Birches” (1901)

    Gustav Klimt’s Lakeshore with Birches (Seeufer mit Birken, 1901) presents a contemplative immersion into nature. This piece was painted during a crucial transitional moment in Klimt’s artistic development. It was completed when Klimt spent his summers away from the urban noise of Vienna at Lake Attersee. This work captures the quiet rhythm of the natural world, distilled through a distinctly modern visual sensitivity. What immediately distinguishes Lakeshore with Birches is its unorthodox composition. Rather than offering a traditional panorama with a distant horizon line, Klimt deliberately truncates the viewer’s field of vision. The composition is anchored by a singular birch trunk rising vertically near the center-right of the canvas. Klimt creates a radical sense of spatial compression by eliminating the sky. The landscape is flattened into a decorative field, where depth is suggested through subtle layering. A lush, wild embankment dotted with small yellow and purple wildflowers. The stark pale birch trunk with its rhythmic dark lenticels, acting as a structural mast. In the background, still water reflecting the dark foliage of the far shore. This croppings draws inspiration from both Japanese ukiyo-e woodblock prints and contemporary square-format photography. The canvas forces the viewer to engage with the textures and moods of the immediate environment. The atmosphere of the painting is dictated by a restrained palette. Dominated by muted moss greens, deep olive tones, and dark murky browns, the water acts as a mirror absorbing the weight of the forest shadows. Against this dark, reflective pool, the small specks of yellow buttercups and delicate purples along the grass introduce a subtle optical vibration. Klimt’s brushwork here bridges French Impressionist techniques and the emerging principles of Art Nouveau. The bank is rendered using tiny, stippled dabs of paint, creating a tapestry-like surface pattern. Up close, the reflections on the water resolve into abstract patches of blue, gray, and dark brown. The slender birch tree provides a crisp, pale contrast. Its bark painted with precise horizontal dashes that echo the linear motifs Klimt would later deploy in his famous Golden Phase. Beyond its formal qualities, Lakeshore with Birches radiates profound stillness. Free from human figures or dramatic narrative.  Turns nature into a psychological sanctuary. The solitary birch trunk stands almost like a quiet observer at the edge of the water. It seems like a subtle proxy for the solitary painter himself. During his summer retreats at the Attersee, Klimt used landscape painting as a palette cleanser, freeing himself from the contentious public commissions and psychological weight of his Viennese portraiture. In Lakeshore with Birches, he captures the fleeting light and quiet isolation of late summer. He converted a humble patch of lakeside grass and water into an intricate sanctuary of pattern and color. It remains a testament to Klimt’s unique ability to merge acute observation with abstract harmony.  

  • 3 Houseplants that may attract lizards

    Lizards often appear in homes during the summer especially in kitchens bathrooms and near indoor plants. While they are usually harmless many people find them unpleasant. They can also become a hygiene concern if they come into contact with food. Experts say some houseplants may attract lizards because they provide cool damp and shaded places where the reptiles like to hide. One of the most common plants is the money plant. Its large leaves and moist soil create a cool environment making it a favorite hiding place for lizards. If the vine grows up a wall or support lizards may climb and rest among the leaves. Another plant that may attract lizards is jasmine. The plant offers a cool leafy space and some experts believe its dense growth makes it a comfortable shelter for lizards. Marigold plants may also attract them. Their thick leaves create shade giving lizards a safe place to hide during hot weather. The good news is that you do not need to remove these plants. There are a few simple home remedies that may help keep lizards away. Placing camphor tablets near plant pots is one popular method because lizards dislike their strong smell. You can also place half an onion or a few garlic cloves near the pots as their odor may help repel lizards. Another natural option is bay leaves whose strong scent is believed to discourage lizards from staying near plants. Experts also recommend keeping the area around plants clean. Dry leaves weeds and garden waste can attract insects which are the main food source for lizards. By reducing insects and maintaining good hygiene around your plants and home you can also reduce the chances of lizards appearing.

  • |

    Japan launches cooling shirt with built-in fans

    Tokyo – Due to Japan’s intense summer heat, office wear is now being equipped with modern cooling technology. Japanese people have started wearing clothes with built-in air-conditioning systems. Japanese clothing manufacturer Yofuku no Aoyama has introduced a short-sleeved shirt fitted with two small fans that provide cool air to the wearer while they are on the move. According to media reports, the shirt looks like a simple and elegant office shirt but it actually contains an advanced cooling system. A fan is installed at the back of the shirt near the waist. When switched on, it circulates air inside the shirt and helps keep the body cool. Air-cooled clothing has become increasingly popular in Japan over the past few years. However, it has mainly been used by people working in construction, waste collection and event security. Such clothing is generally designed as jackets or vests and has traditionally been considered protective or workwear rather than office clothing. However, as summer temperatures continue to rise in Japan, demand for cooling clothing is increasing among ordinary citizens and office workers as well. Keeping this growing demand in mind, Yofuku no Aoyama developed the shirt in collaboration with FZN, a company specializing in fan-equipped clothing. The shirt comes with two fans and a rechargeable battery. According to the company, efforts have been made to keep the cooling system as lightweight as possible. According to the report, each of the two fans weighs 95 grams, while the rechargeable battery pack weighs 165 grams. Although the fans are visible when the shirt is viewed from the back, designers have tried to make them less noticeable from other angles so that the shirt remains suitable for an office environment. The company has not provided specific information about the noise level of the fans suggesting that they may not be completely silent. When is cooling shirt most useful? The shirt is considered more useful while travelling rather than during meetings. The company says its main purpose is not necessarily to operate the fans inside an office or during client meetings as such meetings are generally held in air-conditioned rooms. The real benefit of the shirt is for people who travel around the city from one meeting to another. While walking outside in extreme heat or using public transport, the fans can help keep the body cool. It may also reduce the need for employees to change sweat-soaked clothes and put on formal attire again after reaching their destination. What is price? The complete initial package of the Kuchou Wear Short-Sleeve Shirt is being sold for 17,490 Japanese yen. The package includes the shirt, two fans, a rechargeable battery pack and a charging cable. The shirt is available in blue and grey with medium, large and extra-large sizes offered. The product has already gone on sale at the company’s stores and online shop.

  • Poor diet harms liver and stomach

    Poor eating habits are becoming a major health concern in Pakistan with health experts warning that unhealthy food is contributing to a growing number of illnesses. According to a global survey around 2 billion people worldwide become sick each year because of poor quality or unhealthy food. Experts say countries in South Asia, Eastern Europe and parts of Africa are among the most affected. In Pakistan doctors say unhealthy diets are increasing the risk of several health problems including liver disease stomach disorders and heart disease. They estimate that about one in five people suffers from liver or stomach related illnesses linked to poor nutrition and unhealthy eating habits. Health experts also say that many young people are facing health issues at an early age. Around 70% of young adults reportedly experience back pain or joint pain which may be linked to poor nutrition unhealthy lifestyles lack of physical activity and long hours of sitting. Dr. Shiraz Malik said the human body needs a balanced supply of nutrients every day to stay healthy. He explained that natural and fresh foods provide the vitamins minerals proteins and energy the body needs to function properly. Regularly eating highly processed foods sugary drinks and meals high in unhealthy fats may increase the risk of long term health problems. Experts recommend including more fruits vegetables whole grains lean proteins and clean drinking water in daily meals. They also advise reducing the intake of fast food packaged snacks and sugary beverages. Along with a healthy diet doctors encourage people to stay physically active maintain a healthy weight and get regular medical checkups. These simple lifestyle changes can help lower the risk of many chronic diseases and improve overall health. Health specialists stress that while poor diet is an important risk factor many diseases are also influenced by genetics physical activity smoking alcohol use infections and environmental factors. They say improving food quality and adopting healthier daily habits can play an important role in protecting public health and reducing the burden of preventable diseases in Pakistan.

  • Survey of Käthe Kollwitz’s legacy

    The Museum of Modern Art in New York  exhibits the first major museum retrospective devoted to the German printmaker and sculptor Käthe Kollwitz (1867–1945).The exhibition serves as reassessment of an artist who chose raw human emotion over abstract aesthetics. The survey features roughly 120 works on paper and evocative bronze sculptures gathered from private and public collections across North America and Europe. Käthe Kollwitz originally trained as a painter before turning to printmaking, etching, and charcoal drawing. She quickly realized that black-and-white graphic arts provided a far more direct, accessible, and potent medium for addressing the social injustices around her. She lived through the tumultuous transition of late 19th-century industrialization. The revolution followed by the political instability and devastating carnage of two world wars in Berlin. However, Kollwitz dedicated her career to giving form to the silent suffering of society’s most vulnerable. When many of her contemporaries were exploring radical formal abstraction, Kollwitz stayed firmly rooted in figuration. She viewed her artistic talent not as a path toward personal prestige, but as a moral imperative. As Kollwitz famously noted in her journal, she felt a profound duty to give voice to humanity’s immense burdens. It was a motivation clearly reflected in her emotionally charged compositions. The retrospective marks several crucial series and individual masterpieces that define Kollwitz’s career. Early landmark series included A Weaver’s Revolt (1890s) and Peasant War (1902–1908). They showed her skill in capturing collective resistance, class struggle, and the violent fallout of peasant rebellions. Her works like Woman with Dead Child (1903) and her recurring depictions of mothers shielding their young. This theme is also dominant in her famous Mütter (Mothers) lithographs. These works demonstrate her ability to channel deep personal empathy into universal symbols of protective instinct. Kollwitz produced woodcuts and sculptural works that transformed personal bereavement into universal anti-war statements. She was distilling the excruciating grief of losing her younger son, Peter, during World War I. Kollwitz’s artistic contributions extend far beyond historical interest. Kollwitz established herself as a genius of Expressionist printmaking. As a result, she achieved widespread international acclaim during her lifetime. More importantly, she radically prioritized the female experience, framing motherhood, domestic hardship. She expressed grief not as passive domestic occurrences, but as central, powerful forces within history and politics. Above all, she achieved all that during an era when the international art world was almost exclusively governed by male perspectives, MoMA exhibition underscores the artist’s meticulous process through rare working proofs and preliminary studies. Such an event exposed how she repeatedly refined line, shade, and texture to maximize the emotional potency of each scene. It was Curated by Starr Figura. In a world still facing economic disparity, displacement, and armed conflict, Kollwitz’s unflinching commitment to human dignity continues to resonate with undeniable relevance. Her skills were bold woodcuts, deep etchings, and heavy bronzes. However, they serve as a reminder that art can act as both a mirror to societal trauma and a compassionate voice for justice.  

  • Science explains why ancient Egyptians worshipped the baboon

    In the vast pantheon of ancient Egypt, deities were frequently portrayed as living creatures. Anubis assumed the form of a sleek jackal, Hathor appeared as a majestic cow, and Horus was depicted as a fierce falcon. In almost every instance, a single animal species was tied to a single divine figure. However, the deity Thoth who’s the ancient Egyptian god of wisdom, writing, magic, and the moon stood out. Ancient artists and priests portrayed Thoth in two completely different animal forms. First, the slender, wading sacred ibis (Threskiornis aethiopicus). Second, the stocky, silver-furred sacred baboon (Papio hamadryas). For centuries, Egyptologists and anthropologists struggled to explain why two such different animals were chosen to represent the exact same lunar god.  The sacred ibis seemed to make intuitive sense. Its curved, arching beak resembles a delicate crescent moon. Its black-and-white plumage aligns with classical lunar motifs. The sacred baboon remained an enigma. Baboons were not even native to the Nile Valley. Egyptians had to import them from regions thousands of miles to the south at immense expense and difficulty. Furthermore, across most neighboring African cultures, baboons were viewed with hostility as agricultural pests that destroyed crops. A groundbreaking study published in the journal Time and Mind by a team of researchers from the University of St Andrews and Dartmouth College has finally understood the case. The researchers caught a glimpse into the psychological and spiritual world of ancient Egypt. Professor Catherine Hobaiter at the University of St Andrews led the research team sought to move past human visual perception. Human color judgment is naturally subjective and heavily influenced by cultural assumptions. To eliminate this bias, the scientists utilized spectroscopy. It’s a technique that measures the precise light wave frequencies reflected off physical surfaces. Using spectroscopic measurements, the researchers analyzed the physical light signatures emitted by the plumage of the sacred ibis and the thick coat of the sacred hamadryas baboon. Then, compared those measurements to the light wave frequencies given off by actual moonlight. The findings were astonishingly clear. Both the silver-white fur of the hamadryas baboon and the bright feathers of the sacred ibis possess spectral profiles that are practically identical to the reflected light of the moon. This discovery reveals that the ancient Egyptians were intentional in their religious symbolism. Ancient Egyptians had access to multiple bird and primate species. They were well-acquainted with at least three distinct types of ibises and several other monkey species, including green vervet monkeys and patas monkeys. Yet, out of all available animals, they specifically selected the single white ibis species and the single silver-furred baboon species. The new research demonstrates that the ancient Egyptians recognized an inherent physical connection between these animals and the night sky. To the Egyptian mind, divinity was not an abstract concept restricted to invisible realms. In fact, it was tangibly embodied in the natural environment. When an ancient observer looked upon a hamadryas baboon sitting under the night sky, its coat reflected the exact spectral radiance of the full moon shining overhead. Physical artifacts, temple walls, and mummified remains have revealed much about what ancient Egyptians built and worshipped. However, opportunities to understand how they perceived the world around them are exceptionally rare. Scientists have provided a rare window into ancient human consciousness. Science proved that to the people of the Nile, a baboon’s silver coat was quite literally the embodiment of heavenly light on Earth.  

Leave a Reply

Your email address will not be published. Required fields are marked *