many people can

How many people can you spot?

This interesting visual puzzl is a great way to test your observation skills. Look closely at the picture above and try to figure out how many real people are in the scene.

The image shows an art gallery with several paintings hanging on the walls. A number of visitors are looking at the artwork and there is also a statue of a woman inside the gallery.

Can you find the correct number?

At first glance you may think there are 14 people in the picture.  However that answer is incorrect because the people shown in paintings and the statue are not real people so they should not be counted.

If you counted six people that answer is also wrong. There is actually one more person hiding in the picture.

Where is the hidden person?

The correct answer is seven.

To find the hidden person look carefully at the painting in the right corner. Pay close attention to the eyes in the painting. You may notice that a person is cleverly hiding behind it.

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  • Why does your nose block at Night?

    Do you breathe normally during the day but find it harder to breathe through your nose when you lie down at night? This is a common problem. A blocked nose can disturb sleep, force you to breathe through your mouth and leave you with a dry mouth or sore throat in the morning. Many people think a blocked nose is always caused by a cold or flu. However doctors say there can be several other reasons. Why does it happen at night? Dr. Subrata Das of Aster Whitefield Hospital says that natural changes in the body during sleep can make nasal blockage feel worse. One common reason is sleeping position. During the day when you sit or stand gravity helps mucus drain from the nose.  But when you lie down mucus can collect inside the nose, making breathing more difficult. Changes in hormones at night may also increase swelling inside the nose. People who already have allergies or nasal inflammation may notice the problem more strongly at bedtime. The nervous system can also affect the blood vessels and tissues inside the nose. Changes in nerve activity during the night may increase mucus and make the nose feel stuffy. Allergies may be the cause If your nose becomes blocked mainly after you get into bed allergies could be responsible. Dust dust mites in mattresses and pillows, carpets curtains and damp areas can trigger allergies.  Mold caused by moisture on walls can also lead to a blocked nose, sneezing and itching. Keeping the bedroom clean and dry may help reduce these problems. Acid reflux can also affect your nose Acid reflux is another possible cause. Eating a heavy meal and lying down soon afterward can allow stomach acid to move upward toward the throat. This may cause throat irritation and sometimes make nasal symptoms feel worse. If you also experience heartburn a sour taste in your mouth frequent throat clearing or a burning throat in the morning it is better to speak with a doctor. How can you get relief? The most important step is to find out what is causing the blockage. If allergies are responsible a doctor may recommend a nasal spray or other treatment. You can also try. •Keeping your bedroom free of dust •Washing bed sheets and pillow covers regularly •Cleaning mattresses and carpets •Removing mold and moisture •Avoiding meals just before bedtime •Using a safe saline nasal rinse if recommended •Warm salt water gargles may help if you have a sore or irritated throat. When should you see a doctor? Occasional nasal blockage is usually not a major concern. But if your nose is blocked every night your sleep is regularly disturbed or you have symptoms such as frequent sneezing facial pain headaches fever breathing problems or ongoing nasal discharge you should see a doctor.

  • Best fruits for children’s health and growth

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     Why collectors pay millions for fractured porcelain

    There is a low-frequency hum inside an antique shop, an acoustic hush from dust and centuries of quiet survival. It is often the wounded object that commands the most reverence amidst the polished mahogany and gleaming silver. A spiderweb hairline fractured across the belly of a Qing dynasty jar; a cobalt Blue Willow plate stitched together with iron staples; a tea bowl held in delicate cohesion by golden veins of lacquer. In a modern economy obsessed with pristine surfaces and factory precision, these fractured ceramics defy logic. They do retain value despite their damage. Often, they derive their singular majesty precisely because they broke. The art market regularly bears witness to this quiet paradox. At major auction houses in London and New York, porcelain pieces bearing dramatic structural fractures, historic restorations or visible fractures routinely sell for astronomical sums. When a cracked 18th-century Chinese brush washer or a chipped Song Dynasty bowl is launched, purists do not turn away. Instead, connoisseurs see a vessel that has successfully negotiated with time. A pristine artifact can feel like an untouched relic in a glass museum case. A cracked ceramic, however, carries the irreplaceable friction of human history. This romantic obsession with fracture finds its deepest philosophical roots in the Japanese tradition of Kintsugi: literally, golden joinery. In 15th-century Japan, legend holds that the shogun Ashikaga Yoshimasa sent a damaged Chinese tea bowl back to China for repair. It returned bound by heavy and unsightly metal staples. Japanese craftsmen was displeased and sought a more poetic solution. He bonded the porcelain shards with Japanese lacquer dusting it with powdered gold. Rather than disguising the trauma, Kintsugi illuminated the break. This technique transformed a domestic accident into a radiant architecture of resilience. When collectors haunt dim antique parlors today for cracked celadon or worn earthenware, they are participating in a quiet rebellion against the disposable. We live in an era of engineered obsolescence where a small fracture on a smartphone screen renders the entire device wasted. Antique ceramics represent the opposite: fired earth that withstands centuries, absorbing the touch of generations, bearing scars as badges of longevity. A crack proves that the vessel was used, held, washed, dropped, mourned and salvaged. It shifts the object from a passive decoration to an active survivor. Even the historical methods of repair have become prized antiques in their own right. Before gold lacquer was widely available, 18th and 19th-century itinerant tinkerers repaired heirloom china using metal staples. They were drilling tiny holes on either side of a split and hammering in delicate bronze or iron rivets. To a contemporary eye, these industrial-looking stitches might seem like visual vandalism. Yet, to collectors of stapled china, those iron rivets are exquisite evidence of human ingenuity and resourcefulness from an era when nothing precious was ever casually thrown away.   Ultimately, the enduring value of cracked porcelain in antique shops lies in what it reflects about our own human condition. Perfection is intimidating, fragile and ultimately unfeeling. Rupture, on the other hand, is universal. When a buyer pays for a cracked jar, they are purchasing a physical manifestation of survival. They acquire a tangible reminder that broken things can be mended, that wounds can be highlighted with beauty and that time does not diminish value, but rather confers it.

  • Whistling Past the Graveyard

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