researcher warns against

Researcher warns against neck perfume

A cancer researcher has advised people not to spray perfume directly on their neck as part of their daily routine.

She says that repeated long term exposure to some fragrance chemicals may pose possible health risks.

Anna Canadas, a PhD researcher at the University of Cambridge’s Department of Pathology shared this advice in a viral social media video.

According to her perfumes can contain hundreds or even thousands of chemicals.  Many of these ingredients are listed simply as “fragrance” instead of being named individually making it difficult for consumers to know exactly what they are using.

Referring to research published in Frontiers in Toxicology she explained that some ingredients commonly found in perfumes and cosmetics including phthalates formaldehyde and volatile organic compounds (VOCs) have been identified as endocrine disrupting chemicals.

These substances may interfere with the body’s hormone system or act like hormones which could affect normal body functions.

However experts stress that there is no clear scientific evidence showing that spraying perfume on the neck directly causes cancer.

The concern is about repeated exposure to certain chemicals over many years which may increase potential health risks.

Researchers say the goal is not to scare people away from using perfume but to encourage safer habits and reduce unnecessary exposure to chemicals.

Doctors also point out that the skin on the neck is thinner and more sensitive than many other parts of the body.

This may allow some ingredients to be absorbed more easily. Applying perfume right after a hot shower may increase absorption because the skin is warm and pores are more open.

Dermatologists recommend a few simple precautions. Spray perfume on clothes instead of directly on the neck.

If applying it to the skin choose less sensitive areas such as the wrists.

Consider perfumes made with more natural ingredients. Avoid applying perfume immediately after a hot shower.

Similar Posts

  • Why do people talk in their sleep

    Sleep talking is quite common. People who talk while sleeping usually do not know what they are saying.  Their words may sound unclear or random making it difficult for others to understand them. Some people only mumble a few words while others may speak in full sentences.  It can sometimes be confusing or surprising for anyone sleeping nearby. What is sleep talking? Sleep talking also known as somniloquy is a type of sleep behavior called a parasomnia. Parasomnias are unusual actions that can happen while we are asleep such as walking moving around or talking. Sleep talking can happen during different stages of sleep including deep sleep and REM sleep. It may also occur when the brain is moving from one sleep stage to another. This means that what a person says while sleeping may not always have a clear connection to their dreams or real life thoughts. Why do people talk in their sleep? Experts believe that sleep talking can sometimes run in families. However several other factors may also play a role. Stress anxiety emotional experiences and certain mental health conditions may increase the chances of sleep talking.  In some cases poor sleep or major changes in a person’s routine may also contribute. Can sleep talking be linked to dreams? Sometimes a person may suddenly speak while sleeping and say something that seems related to what they were thinking about during the day. The brain continues to process information while we sleep. It may replay memories emotions and events from the day. As a result, some sleep talking may sound like random pieces of thoughts or conversations. However sleep talk does not always tell us exactly what someone is dreaming about.  The words may be unclear incomplete or completely unrelated to what the person remembers after waking up. For most people occasional sleep talking is harmless. However if it happens very often or comes with other unusual sleep behaviors it may be worth discussing with a sleep specialist.

  • |

    China introduces brain-controlled robot technology

    Several countries are actively developing Brain-Computer Interface (BCI) technology which enables people to interact with devices using only their thoughts without the need for physical movement. Now, a Chinese company is working to integrate this technology into robots. According to BrainCo, the company has developed the world’s first brain-to-robot interface system allowing robots to be controlled directly through human thought. The company said the system works using EEG headsets which are worn by human operators. These headsets monitor brain activity and translate it into commands that are sent to the robot. Like other BCI technologies, the system relies on extensive training data that maps specific patterns of brain activity to corresponding actions. Artificial intelligence (AI) algorithms are then used to accurately interpret a person’s intended action and convert it into the correct robotic response. The technology called the Brain-Controlled Robot AI Platform was unveiled at the World Artificial Intelligence Conference in Shanghai. BrainCo said the system can be used not only to control robots but also to operate robotic arms and other connected devices. The platform continuously collects data which is used to further improve its AI algorithms and enhance performance over time. According to the company, rapid advances in AI have enabled robots to perform many tasks independently. However, it believes the next major challenge is ensuring that robots can effectively understand and collaborate with the humans working alongside them.

  • The Euphemism of Integration: Kashmir Seven Years Later

    By Ahmad Hassan “The convoluted wording of legalisms grew up around the necessity to hide from ourselves the violence we intend toward each other… Elaborate euphemisms may conceal your intent to kill, but behind any use of power over another the ultimate assumption remains: ‘I feed on your energy.’” When Frank Herbert wrote those words in his novel Dune Messiah, he observed that elaborate euphemisms are often used by the state to conceal the raw mechanics of power. In Pakistan, August 5 is observed as Youm-e-Istehsal to condemn the 2019 revocation of Article 370 and its supplementary provision, Article 35A. This act of the Indian government removed Kashmir’s separate constitution, its flag and its control over its own affairs. Last week marked seven years since that day. What began as a dramatic constitutional rupture has now, by design, become quietly normalized. Jammu and Kashmir joined India in 1947 on defined terms. The Maharaja handed over defence, foreign affairs and communications. Everything else stayed with the state. The United Nations later called for a plebiscite. It never happened. Instead, over decades, the protections that were supposed to stand in its place were worn down piece by piece, until August 5, 2019, when the government removed what remained in a single stroke. The method deserves more attention than it usually gets. Article 370 was not directly changed. First, the government reached for Article 367, which was intended to aid in the interpretation of the Constitution, and used it to redefine one phrase: “Constituent Assembly” became “Legislative Assembly.” Kashmir had no sitting assembly at the time, and the state was under President’s Rule. So, the government’s own appointee, the Governor, signed off on the change. India’s Supreme Court had already ruled, in 1959 and again in 1969, that Kashmir’s constitutional status could only be changed after the approval of the Constituent Assembly of Kashmir. When that body no longer existed, no institution had the standing to give that consent on Kashmir’s behalf. New Delhi decided that its own Governor could stand in for the people he had not been elected by. That is not consent. It is a government consenting to itself. The Indian government argued that Kashmiris had lived for decades under an insurgency that killed tens of thousands and emptied the Valley of its Pandit community in 1990. It left the region isolated from the investment and policing coordination. That argument would carry more weight if the method had matched it. What followed the revocation was not the language of integration. It was a total communications blackout, landlines and mobile networks and the internet all cut at once. Independent estimates put the troop presence at 600,000 to 800,000, roughly one soldier for every ten Kashmiris. Even pro-India politicians, former chief ministers among them, were placed under detention. Perhaps a security argument can justify counter-insurgency operations. It cannot by itself justify dissolving a state’s constitutional status, its legislature and its statehood in one move. That too with no elected Kashmiri voice given the chance to object. Jawaharlal Nehru warned Parliament about exactly this shortcut in 1952, while Article 370 was still being drafted. No clause in a constitution, he said, could substitute for the will of the Kashmiri people. Real integration, in his words, comes from the mind and the heart, not from a clause imposed from outside. Actually, there is a longer, quieter project behind the legal manoeuvre. Article 35A once barred outsiders from buying land or settling permanently in Kashmir. Since its removal, more than 3.2 million domicile certificates have gone to outsiders, most of them non-Kashmiri Hindus. This alarming thing is that wherever a disputed territory’s demographics are reshaped before its people are asked what they want, the eventual vote, if one ever comes, no longer reflects the population whose future was originally in question. None of this required an invading army, or an open declaration of intent. It required a redefined word, a signature from an appointee, and a great deal of time. The convoluted legalisms that Herbert warned about have become policy in Kashmir: development, integration, correction. Each euphemism has quietly done the work that an honest admission of purpose could never have achieved. Seven years on, Kashmir’s assembly has voted decisively against the BJP that carried out the revocation, and passed its own resolution demanding the restoration of its special status. New Delhi can easily ignore them. Yet, that very power to ignore an elected legislature proves, beyond any doubt, that the “consent” obtained seven years ago was always a legal fiction.

  • The unforgettable legacy of Raja Mehdi Ali Khan

    Twentieth-century Urdu literature and Indian cinema was shaped by figures whose creativity crossed literary traditions and popular entertainment. Among these luminaries, Raja Mehdi Ali Khan stands out as a unique persona connecting high-art literary satire and immortal Bollywood melodies. This legend was born in 1915 in the historical town of Wazirabad. Khan was an observer of culture. He inherited a formidable poetic pedigree that caused him to be one of the most celebrated humorists and lyricists of his era. Raja Mehdi Ali Khan’s literary inclinations were virtually coded into his lineage. He was related to the renowned journalist and political figure Maulana Zafar Ali Khan. He was raised in an environment saturated with verse and socio-political commentary. Moreover, his mother was a recognized poetess in her own right. She taught him a deep reverence for language and rhythmic expression from an early age. This environment nurtured his inherent talent, allowing him to absorb classical Urdu poetic conventions while developing an understated wit that would define his future work. Before making a name for himself in the cinema, Khan began his journey in print journalism. He contributed prolifically to prominent periodicals and literary magazines of the era. The names included Monthly Alamgir, Weekly Khayyam, Tehzeeb-e-Niswan and Do Phool. His early journalistic writings allowed him to polish his observational skills. Whether analyzing social norms or painting witty portraits of everyday life, his prose stood out for its accessibility and warmth. Later, he transitioned into radio broadcasting. It’s considered a medium that further refined his sense of auditory storytelling and lyrical timing. He was driven by creative ambition. Later, Khan relocated to Bombay (now Mumbai) during a transformative era for Indian cinema. His entry into the film industry marked the beginning of a golden age for Hindi film music. He partnered with legendary music composers such as Madan Mohan. Khan penned lyrics that transcended simple movie themes, capturing profound emotional truths. His songs have proved to be timeless masterpieces, continuing to resonate across generations. Among his most iconic works are: hai isi mein pyaar ki aabru wo jafa karen main wafa karun jo wafa bhi kaam na aa sake to wahi kahen ki main kya karun Raja Mehdi Ali Khan, Anpadh (1962) His celebrated catalog includes evergreen classics. Lag Jaa Gale (Woh Kaun Thi?): Widely regarded as one of the greatest romantic ballads in Hindi cinema. Aapki Nazron Ne Samjha (Anpadh): A masterpiece of subtle expression and devotion. Jhumka Gira Re (Mera Saaya): A vibrant classic in popular culture. Tu Jahan Jahan Chalega (Mera Saaya): A hauntingly beautiful exploration of love and devotion. Agar Mujh Se Mohabbat Hai (Aap Ki Khaatir): A poignant reflection on romantic commitment. What set Raja Mehdi Ali Khan apart from many of his contemporaries was his dual identity.  Film audiences revered him for his deeply romantic and melancholic lyrics. On contrary, the literary world celebrated him as an exceptionally gifted humorist and satirist. Even amidst his demanding schedule in Bombay’s competitive cinematic landscape, Khan never abandoned his literary roots. His satirical essays and humorous poems were regularly featured in leading newspapers and journals across both India and Pakistan. His humor was rarely cynical. Instead, it offered a gentle, witty critique of human flaws, societal absurdities, and the complexities of modern living. Khan proved that high literary craft could flourish alongside popular music. Raja Mehdi Ali Khan passed away leaving behind a rich archive of literary contributions and cinematic songs that continue to be sung, reimagined, and loved today. His life journey from the quiet streets of Wazirabad to the recording studios of Bombay embodies the shared cultural heritage of the Indian subcontinent. His art remains vibrant and melodious whether delivered in a literary journal or sung by iconic playback singers.  

  • Best way to mix henna for rich hair color

    Henna has been used for centuries as a natural way to color and condition hair. Many people mix henna with either tea water or coffee but which one works better? The answer depends on the type of color you want. Tea and coffee can give henna a slightly different result. Using tea water with henna Tea water is a popular choice for preparing henna. Many people traditionally use strong tea instead of plain water because it can help make the henna color appear deeper. If you want a deeper red or brown shade strong tea water may be a good option. It can also leave the hair looking soft and shiny. To prepare it boil the required amount of water and add two to three teaspoons of tea leaves. Let it cook until the water becomes dark. Allow it to cool then slowly add it to the henna powder to make a smooth paste. For a richer color some people leave the henna mixture covered for several hours or overnight before applying it. Adding coffee to henna Coffee is another common ingredient used with henna. It may help create a warmer brown tone and can add a darker look to the final color. You can mix one or two teaspoons of coffee powder directly into the henna. Another option is to make strong coffee let it cool and use it instead of plain water when preparing the paste. Tea or coffee which one should you choose? If you want a deeper red brown shade tea water may be the better choice. If you prefer a warmer brown look coffee can be added to your henna mixture. You can also use a small amount of coffee along with strong tea water.  This combination may give the hair a deeper looking color and extra shine. However, avoid adding too much coffee as it can affect the texture of the henna paste. A simple safety tip Henna is a natural hair-coloring method but natural does not always mean risk free. Before applying any homemade mixture to your hair or scalp do a small patch test first especially if you have sensitive skin. Stop using it if you notice irritation or an allergic reaction.

  • | |

    The pure joy of private writing

    Recent archival developments in the literary world have reignited a timeless debate about the nature of creation. When the personal archives, diaries, and private notebooks of legendary literary figures are cataloged and opened to the public, readers gain an intimate glimpse into a process entirely free from external expectation. Raw Honesty In an era dominated by social media algorithms, content metrics, and immediate digital validation, the contemporary act of writing has become increasingly public. Writers are frequently urged to build personal brands, cultivate audiences before completing a single chapter, and measure the value of their thoughts by engagement metrics. Yet, a look across literary history suggests that forcing self-expression through the filter of public consumption often strips writing of its essential power: raw honesty. The Freedom of the Unseen Page When Franz Kafka famously instructed his close friend Max Brod to burn all his unpublished manuscripts and private journals upon his death, he was asserting a radical boundary. Though Brod ultimately defied those wishes giving the world masterpieces like The Trial and The Castle, Kafka’s mandate highlighted a fundamental truth about his relationship with the written word. For Kafka, writing was not a trade, a performance, or a search for acclaim. Rather, it was a urgent, internal necessity. He wrote to process his existential anxiety and negotiate his place in a confusing world. Revolutionary Contribution to Modern Poetry Similarly, Emily Dickinson spent her life in relative reclusion in Amherst, Massachusetts, quietly composing over 1,700 poems. She bound them carefully with thread and tucked them away in a wooden chest, largely indifferent to the literary establishment of her era. Freed from the pressure of publisher deadlines, critical reviews, or popular trends, Dickinson invented an entirely original poetic structure. Unconventional in its punctuation, bold in its metaphors, and uncompromising in its vision. she didn’t customise her voice to suit 19th-century publishing standards. That’s her revolutionary contribution to modern poetry is still there. Why Private Writing Rescues Creativity Writing for an audience activates self-censorship. When you write exclusively for yourself, the fear of judgment vanishes. This phenomenon allows uncomfortable truths and unrefined ideas to flow onto the page. Modern culture fixates on output. For instance, the finished book, the polished essay, the published post. Writing privately restores focus to the immediate sensation of thinking on paper. It is transforming the craft from a task into a sanctuary. A writer’s authentic voice is rarely found by attempting to match market trends. It emerges in the quiet margins of private journals, where syntax and thought patterns develop naturally without external influence. Reclaiming the Personal Journal in a Public World Reclaiming the joy of private writing does not require abandoning public work altogether. Instead, it requires establishing a sacred space where performance is forbidden. Writing for an audience of one remains one of the most effective ways to sharpen thought and restore mental clarity.   The enduring fascination with published literary archives proves an intriguing paradox. The writing that captivates us most deeply is often the very writing that was never meant for our eyes. We unlock the true alchemy of the written word by letting go of the need for an audience. A private conversation between the self and the page.

Leave a Reply

Your email address will not be published. Required fields are marked *