shah abdul latif

Shah Abdul Latif Bhittai: A Multifaceted Poet

Shah Abdul Latif Bhittai was one of the most multifaceted poets of the subcontinent. The scope of his poetry covers various areas such as peace, humanity, humility, spirituality, patriotism, patience, struggle, and many other important aspects of human life. The light of his poetry reaches the minds and souls of people belonging to different walks of life.
Latif was born in a period when Persian was the official language and was also the language of poetry and other means of expression. However, he broke the chains of tradition, put aside the fear of social conventions, and used Sindhi instead of Persian as the medium of his poetry. His narrative reinforces the idea that one should prefer native and indigenous languages to foreign ones, because one’s identity and cultural association are linked with indigenous languages. He does not mean to disrespect Persian; rather, he intends to reinforce the significance of native languages.
Patriotism was one of the important themes of Latif’s poetry. Sur Marvi is a testament to his inner feelings about the homeland and the deep love attached to it. According to the story, when Marvi was allegedly kidnapped by Umar, the ruler of the time, and brought to his grand palace, she rejected the luxuries and comforts of the palace. Instead, she requested Umar to return her to Malir, her homeland. Marvi tells Umar that if she dies in imprisonment, her dead body should be sent back to her beloved parents, ancestors, and the land of Malir. Even after her demise, reaching her homeland would bring comfort and peace to her soul. She wishes to be buried among the fragrant herbs and plants of her beloved land. This symbolises love, simplicity, and attachment to the homeland and its people. It shows that despite achieving all worldly luxuries and privileges, a person with a true conscience desires to return to their native land.
For Latif, love for the homeland is more than a feeling or a sense of belonging. It is an attachment to one’s identity, culture, and indigenous roots. Therefore, Marvi does not care about worldly luxuries but desires to return to Malir, which may be simple but possesses natural beauty, pure love, and the affection of relatives and fellow beings. For Marvi, her homeland Malir is superior and matchless.
In Sur Sarang, Latif discusses rain and the prosperity that follows rainfall through agriculture, irrigation, and the grazing of domestic animals and livestock. Latif describes Thar as a thirsty land that has always longed for rain and showers because the sustainability of Thar depends upon rainfall. The dark clouds over Thar bring excitement and happiness, not only to the poor people but also to their livestock.
For the rain-thirsty region of Thar, rain indicates the hope of prosperity. After rainfall, lands are cultivated, animals are kept in homes, and people experience prosperity. This reflects the deep association between humans and nature and shows how people keep high hopes from natural blessings such as rain.
Latif’s poetry does not only confine itself to love, peace, and patriotism; patience, humanity, self-surrender, and contentment with minimum means are also significant themes of his poetry. He emphasises the purity and piousness of the inner soul and encourages people to sacrifice worldly desires to elevate their inner selves.
During the British era, many British officers posted in Sindh recognised the greatness of Shah Abdul Latif’s poetry and paid tribute to him. Writers and scholars such as H.T. Sorley considered him one of the great poets of the world. Through their contributions, they tried to promote and spread Latif’s message of love, peace, humanity, brotherhood, and tolerance. They observed that although Latif’s poetry apparently covers regional issues and feelings, its thoughts and expressions are universal and comparable with the works of internationally recognised poets.
While talking about the concept of the Lord, Latif explains that apparently there seems to be one palace having hundreds of thousands of doors and countless windows. Wherever one looks, one can see the presence of the Lord. This indicates that God is omnipresent and can be seen through different forms of His creation and symbols.
One of the fundamental aspects of Latif’s poetry is real love and the approach towards the Creator. According to Latif, the initial step to achieve this elevated spiritual status is to become humble, submissive, caring, and kind towards people living on earth. He believes that in order to have access to God, one has to brush aside worldly desires and become humble and devoted.
His poetry also contains messages of hope, patience, courage, and adventure. Latif says that those who have the courage and determination to cross rivers of difficulties and hardships will ultimately reach their destination. In his poetry, the river symbolises obstacles and difficult situations that a person faces while struggling to achieve success. Those who are brave enough to face the horrifying waves of difficulties can ultimately cross the river and achieve their goals.
Latif also emphasises avoiding excessive desires of the material world. According to him, the way to spiritual elevation is to remain humble, kind, and caring towards the creatures of the Lord. His poetry teaches people that life is temporary and that one must play one’s role positively in this world to achieve success in the spiritual world.
Sur Samundi is another important chapter of Latif’s poetry. In this Sur, Latif depicts the life of marine traders, their economic struggles, social issues, and the feelings of their loved ones when these sailors travel through deep seas and remain away from their homes for many months.
In this chapter of his poetry, Latif observes that people of the olden days were involved in trade and commerce and lived prosperous lives. These mariners travelled to far off areas and traded various valuable items, including diamonds, pearls, and jewels. They left the comforts and luxuries of their homes because they preferred trade and adventure to a comfortable life.
Latif not only highlights the success and struggles of these traders but also closely paints the picture of their family members who suffered in the absence of their loved ones. They waited anxiously and eagerly for the return of those who were travelling to distant and remote areas. In olden times, it was a tradition that wives did not call their husbands by their names. Therefore, one wife, instead of calling her husband’s name, addresses her mother-in-law as the mother of the traveller. She complains that her son has returned home even after twelve months and now he is planning to leave again. This deep expression shows the emotional pain and suffering of families due to the absence of their loved ones.
Latif’s poetry portrays human feelings, emotions, desires, longings, hopes, expectations, and responsibilities in this temporary world. His poetry is an amalgamation of such thoughts and expressions. Even after many years, his message continues to echo throughout the world. Latif’s poetry symbolises love, patience, courage, bravery, and humanity, which are the prerequisite qualities of a civilised and cultured nation.

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Bulleh’s resistance becomes sharper in the following kafi, where he compares the ostentatiously pious with dogs. راتیں جاگیں کریں عبادت راتیں جاگن کُتے تیتھوں اُتے Raatin jaagein karein ibaadat Raatin jaagan kutte Taithon utte You remain awake at night in worship; dogs keep vigil too— and surpass you. بھونکنوں بند مول نہ ہندے جا روڑیں تے سُتے تیتھوں اُتے Bhonkanon band mool na honde Ja roorin te sutte Taithon utte They never cease their watchful barking, then sleep upon a refuse heap— and surpass you. خَسم اپنے دا در نہ چھڈدے بھاویں وجن جُتے تیتھوں اُتے Khasam apne da dar na chhadde Bhaven vajjan jutte Taithon utte They never abandon their Master’s door, though struck repeatedly— and surpass you. بلھے شاہ کوئی رَخت وِہاج لے نہیں تے بازی لے گئے کُتے تیتھوں اُتے Bulleh Shah koi rakht vihaaj lai Nahin te baazi lai gaye kutte Taithon utte Bulleh Shah, acquire provisions for the journey, or the dogs will carry away the prize— and surpass you. The poem reverses an established hierarchy with deliberate audacity. The dog, conventionally treated as impure, becomes the moral teacher; the visibly devout human being becomes the object of satire. Bulleh does not ridicule worship. He asks what worship is worth when it produces neither loyalty nor humility. The dog remains at its master’s threshold despite hunger, rejection and blows. The worshipper may remain awake, although ritual performed for reputation can coexist with pride, cruelty and the pursuit of power. This distinction is critical. Bulleh Shah’s target is not religion but its conversion into social capital. Piety becomes another possession—something to display, trade and employ against others. In Erich Fromm’s terms, the mode of “having” invades faith: one “has” learning, sanctity, lineage and followers. Bulleh insists upon the mode of “being”, where truth appears through conduct rather than claim. The dog’s fidelity defeats the worshipper’s performance. The same assault on borrowed identity culminates in three immortal lines: بلھیا! کی جاناں میں کون Bulleya, ki jaana main kaun? Bulleh, how can I know who I am? نہ میں مومن وچ مسیتاں نہ میں وچ کفر دیاں ریتاں Na main momin vich maseetan Na main vich kufar diyan reetan I am not confined to the believer in the mosque, nor to the rituals called unbelief. نہ میں موسیٰ، نہ فرعون Na main Moosa, na Firaun I am neither Moses nor Pharaoh. Bulleh removes the available answers one after

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Support from development partners and international financial institutions is critical to implementing the federal government’s agenda for sustained and balanced development for the people. The aim and objective of seeking foreign or external financial assistance can be stated as “promoting economic and social development in the developing countries.” It can also be defined as “Administered transfer of resources from a donor country or international financial agency to the developing countries with a view to encourage economic growth.” Foreign aid can be in the form of money, goods or technical assistance and can also be between two (bilateral) or many (multilateral) countries/institutions. Foreign aid is also looked for to meet both the economy’s balance of payments gap and investment gap. That is why project and technical assistance alone are not sufficient.

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