youtube adds custom

YouTube adds custom thumbnails for shorts

YouTube has launched a long awaited feature that allows creators to upload custom thumbnails for their YouTube Shorts.

According to reports the new feature is currently available for creators who are part of the YouTube Partner Program (YPP).

They can now choose and upload their own thumbnail images instead of relying on a frame from the video.

This update gives creators more control over how their Shorts appear. They can design eye catching thumbnails that match their brand and make their videos more attractive to viewers.

YouTube said custom thumbnails have been one of the platform’s most requested features. The company is rolling it out first to Partner Program members and plans to expand access to more creators in the future.

Previously Shorts creators could only select a still frame from the video as the thumbnail making it harder to create a consistent look or build a strong brand identity.

The new feature aims to solve that problem and improve the overall presentation of Shorts.

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    Subjective aesthetics versus literary brilliance

    Litigation over artistic quality reveals more about the critic’s personal taste and ideological leanings than it does about the intrinsic value of the literature itself. A prominent Bangladeshi academic initiated a debate across literary circles when a short video clip went viral online. In this brief excerpt from a presentation delivered at a university literary festival, the scholar dismissed the acclaimed author Shahidul Zahir. He claimed that Zahir does not even qualify as a third-rate artist. He  labeled him instead as a third-class writer whose language is thoroughly uninteresting. He similarly critiqued another modern Bengali prose writer, Akhteruzzaman Elias. For this case, he dismissed his writing style as endlessly monotonous. This judgment raises critical questions about literary aesthetics and the metrics used to evaluate global literature. Does a critic’s subjective boredom justify reducing a writer’s work to a low rating? Analytically, the fiction of Shahidul Zahir demonstrates the exact qualities that define world-class literature. Shahidul Zahir was never a conventional storyteller who somehow aimed to comfort his audience. Rather than offering comfortable narratives, his work exposes uncomfortable truths beneath established historical accounts. His portrayal of wartime violence, political opportunism, and societal compromise during and after the 1971 Liberation War forces readers to confront disturbing realities. Zahir connects the grim details of local life with magical and surreal elements. He utilizes oral storytelling traditions. He also combined surreal metaphors with layered depictions of the human condition. His narratives have bizarre occurrences such as animals acting as caretakers or war collaborators feeding human flesh to animals appear surprisingly believable against the background of ordinary towns like Sirajganj or Old Dhaka. His surrealism reflects real-world atrocities that were often equally unimaginable far from being mere fantasy. The academic’s critique centered primarily on two claims. Firstly, Zahir’s writing is dull. Secondly, his portrayal of the 1971 war is historically inaccurate. However, a closer look at these claims exposes significant flaws in the critic’s premise. The critic in question strongly favors traditional, highly formal, Sanskritized prose (sadhu bhasha) and rejects everyday spoken dialect (cholito bhasha) for serious discourse. In contrast, Zahir’s prose relies on the living, informal, and at times raw language spoken by everyday people. Therefore, rejecting an author because their prose reflects the authentic cadence of public speech reveals an elitist preference rather than an objective literary standard. The scholar accused Zahir’s acclaimed novella Jibon O Rajnoitik Bastobota (Life and Political Reality) of presenting stereotypical representations. He further pointed the supposed depiction of war collaborators wearing skull caps. Yet, nowhere in the actual text does such a detail exist. The critic appeared to project his own assumptions onto the text rather than reading what was actually written. Zahir’s novella accurately captures the painful political reality of post-liberation Bangladesh, where former wartime collaborators were gradually integrated back into mainstream power structures. Literary scholars often define world literature as creative work that responds to the global dynamics of modern capitalism and political change. Zahir’s novels illustrate how global economic forces interact unevenly with local feudal structures. In his masterpiece Shei Raate Purnima Chhilo (It Was Full Moon That Night), Zahir explores the rise of a powerful rural leader under state-sponsored political reform. The narrative illustrates how modern capitalist development mixes with lingering feudal mentalities. This mentality then creates a system where local elites hold unchecked power. Zahir constructs a portrait of a society caught between tradition and modern governance. Furthermore, Zahir’s treatment of the 1971 war connects local experiences with international geopolitics. In his stories, wartime memories constantly surface like fresh grass breaking through soil. His words speak about how national liberation was simultaneously a local struggle for survival and an event influenced by global Cold War tensions. The argument that a nation must produce literature directly accessible or marketed to Western readers in order to be considered world-class relies on a flawed premise. Global literary status should not depend solely on English translation or commercial visibility. Countless profound authors around the globe write within their local contexts. Such marvelous authors produce works that match the thematic depth of international figures like Franz Kafka or Gabriel García Márquez. As a matter of fact, dismissing Shahidul Zahir as third-class overlooks the artistic, historical, and linguistic power of his work. His fiction stands as an extraordinary accomplishment in modern literature. He is the one that challenges, provokes, and immortalizes the complex human experience far beyond the boundaries of narrow critique.  

  • Lack of dustbin in Chahsar

    Through the columns of your newspaper, I would like to highlight the lack of proper waste-disposal facilities in Chahsar, Turbat. There are very few large dustbins placed along the roads where residents can dispose of household garbage and in many areas people have no nearby option at all. At present, only a few such dustbins can be found in the locality which is insufficient for a large and growing population. Dustbins should be placed at reasonable intervals, perhaps around every 40 metres in populated areas, so that residents can keep their surroundings clean and the waste can be collected regularly by municipal trucks. If there is no designated place to dispose of household waste people are left with very limited choices, and garbage inevitably ends up on roadsides or vacant plots. The concerned authorities are requested to increase the number of dustbins in Chahsar and ensure their regular collection. Clean surroundings require not only public responsibility but also proper municipal facilities.

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    Parliament should focus on Pakistan’s real c…

    Pakistan is an Islamic republic whose Constitution defines not only the structure of the state but also its ideological foundation. It explicitly states that the country should create an environment in which Muslims can live their lives in accordance with the teachings of the Quran and Sunnah. Against this constitutional backdrop, it is surprising that the issue of women wearing the abaya—or an Islamic financial institution including the abaya in its employee dress code—has become a matter of concern for a parliamentary committee. This naturally raises an important question: Who is setting the country’s priorities, and are these truly the issues that deserve Parliament’s attention? Pakistan continues to face pressing challenges, including rising inflation, unemployment, an unequal tax system, a struggling economy, and serious shortcomings in education and healthcare. These are the issues that directly affect the daily lives of millions of citizens. If a parliamentary standing committee, whose primary responsibility is financial oversight, chooses to focus instead on the dress code of Islamic banks, it is reasonable for the public to question whether legislative priorities are aligned with the country’s most urgent needs. The debate also raises questions about consistency. Critics have objected to the abaya as part of an institutional dress code, yet there is little discussion about uniforms in many government departments that follow Western styles of dress. Women serving in the police, the Federal Investigation Agency (FIA), and several other public institutions are commonly required to wear trousers and shirts as part of their official uniforms. If clothing is to become a matter of parliamentary debate, then similar standards should apply across the board. Selective criticism can create the perception of bias. Supporters of Islamic dress codes argue that the issue extends beyond clothing itself and reflects broader concerns about cultural and religious identity. From this perspective, the concern is not simply about the abaya but about a mindset that views visible expressions of religious identity as obstacles to modernization. They question whether institutions with an Islamic identity should be expected to abandon their traditions in the name of progress. This leads to a broader debate: Who defines what it means to be modern? Does modernization necessarily require reducing the public expression of religious values or adopting Western cultural norms? For institutions operating within Pakistan’s Islamic banking framework, supporters argue that their identity is rooted not only in financial principles but also in ethical and religious values. If such institutions adopt internal policies that comply with Pakistani law and reflect constitutional and religious principles, they contend that those choices should be respected. The discussion also draws comparisons with international examples. In countries such as France, restrictions on religious clothing have generated significant criticism from human rights advocates. Supporters of religious freedom argue that Pakistan, which was established with a distinct religious and cultural identity, should carefully consider whether adopting similar approaches is consistent with its own constitutional framework and historical foundations. Ultimately, the central argument is that Parliament should devote its time and resources to addressing issues that directly affect governance, economic stability, and public welfare. Matters of personal attire, religious belief, and institutional identity, many argue, should not become subjects of unnecessary official intervention when the country faces far more pressing social and economic challenges.

  • Why are young bodybuilders dying so early

    Brazilian bodybuilder and fitness influencer Melson Araujo recently shared a gym photo showing his impressive physique. Just a few hours later the 35 year old reportedly became ill at home and died suddenly. The exact cause of his death has not been officially confirmed. However his passing has added to growing concerns about the number of young bodybuilders who have died unexpectedly in recent years. Earlier this year 22 year old Brazilian bodybuilder Gabriel Ganley also died after suffering sudden cardiac arrest. In 2024, two other Brazilian bodybuilders in their 30s and 40s also died from heart related problems including one who collapsed during a competition. Similar cases have been reported around the world. American bodybuilder Dallas McCarver died in 2017 at the age of 26, while German fitness influencer Jo Lindner passed away in 2023 at the age of 30. These deaths have raised an important question. why are some people who appear extremely fit and healthy dying at a young age? A 2025 study published in the European Heart Journal examined nearly 20,000 amateur and professional bodybuilders who competed between 2005 and 2020. Researchers found that professional bodybuilders were more than five times more likely to die from sudden cardiac arrest than amateur competitors. The study recorded 121 deaths including 46 caused by sudden cardiac arrest. The average age at death was 45 years but for active competitors it was only 34.7 years. Researchers believe several factors may increase the risk, including the use of performance enhancing drugs rapid weight loss before competitions and extremely intense strength training. Another 2025 study from Denmark published in the journal Circulation followed 1,189 men who used anabolic steroids and compared them with nearly 60,000 men over 11 years. The researchers found that steroid users had a nine times higher risk of developing cardiomyopathy a disease that weakens the heart muscle. They also had about three times the risk of heart attack and heart failure. Experts say anabolic steroids may also raise blood pressure speed up the build up of plaque in the arteries and change the structure of the heart. Autopsy reports from several bodybuilders have shown that many had enlarged hearts and thicker heart walls especially in the left ventricle. These changes can increase the risk of dangerous heart rhythm problems and heart failure. One of the best known cases was Dallas McCarver, whose heart weighed 833 grams more than twice the normal weight of an adult male heart. A 2022 review also found that many American bodybuilders had hearts that were much larger and thicker than normal. In some cases even athletes in their 20s showed enlarged hearts thickened heart muscles, and serious coronary artery disease.

  • Why do people talk in their sleep

    Sleep talking is quite common. People who talk while sleeping usually do not know what they are saying.  Their words may sound unclear or random making it difficult for others to understand them. Some people only mumble a few words while others may speak in full sentences.  It can sometimes be confusing or surprising for anyone sleeping nearby. What is sleep talking? Sleep talking also known as somniloquy is a type of sleep behavior called a parasomnia. Parasomnias are unusual actions that can happen while we are asleep such as walking moving around or talking. Sleep talking can happen during different stages of sleep including deep sleep and REM sleep. It may also occur when the brain is moving from one sleep stage to another. This means that what a person says while sleeping may not always have a clear connection to their dreams or real life thoughts. Why do people talk in their sleep? Experts believe that sleep talking can sometimes run in families. However several other factors may also play a role. Stress anxiety emotional experiences and certain mental health conditions may increase the chances of sleep talking.  In some cases poor sleep or major changes in a person’s routine may also contribute. Can sleep talking be linked to dreams? Sometimes a person may suddenly speak while sleeping and say something that seems related to what they were thinking about during the day. The brain continues to process information while we sleep. It may replay memories emotions and events from the day. As a result, some sleep talking may sound like random pieces of thoughts or conversations. However sleep talk does not always tell us exactly what someone is dreaming about.  The words may be unclear incomplete or completely unrelated to what the person remembers after waking up. For most people occasional sleep talking is harmless. However if it happens very often or comes with other unusual sleep behaviors it may be worth discussing with a sleep specialist.

  • The Recommend Self

    From Syed Tahir For centuries, one question has remained at the centre of human reflection: Who am I? The question appears simple, yet it contains one of the deepest mysteries of human existence. Identity is not merely a collection of facts about an individual. A name, profession, nationality or social position may describe a person, but they cannot fully explain the self behind them. Human beings are not born with a complete identity. They create one. Through memories, relationships, choices and experiences, individuals gradually construct an understanding of who they are and what they value. The self is not a fixed object. It is an ongoing process of becoming. The Digital Age is quietly transforming this process. For the first time in history, external systems do not merely observe human behaviour. They increasingly predict preferences, organise choices and influence the environments through which identity itself develops. This transformation is subtle because it rarely appears as control. It appears as convenience. A song suggested before we search for it. A film selected before we decide what we want to watch. A news story placed before our attention. A product displayed before desire fully develops. A community recommended before we consciously seek belonging. The language is harmless. The implications are profound. The central paradox of the digital age is that the systems designed to understand us are gradually becoming capable of influencing the people we become. The algorithm does not need to tell us who we should be. It only needs to shape the choices through which we construct ourselves. Human identity has always been influenced by external forces. Families transmit values. Schools develop habits of thought. Communities provide belonging. Cultures offer narratives through which individuals understand their place in the world. But these influences are usually visible. Digital influence is different. It often operates quietly. A recommendation does not present itself as authority. It presents itself as assistance. It does not say, “Become this person.” It simply arranges the possibilities from which a person chooses. This is why the question of algorithmic identity is not only about technology. It is about human agency. Because freedom is not merely the ability to make choices. Freedom also requires understanding how those choices are shaped. The challenge of the digital age is that recommendations can gradually become substitutes for exploration. Human growth has always depended upon encounters with the unexpected. A person discovers a passion through an unfamiliar book. A new idea changes a lifelong assumption. A conversation with someone different expands the boundaries of understanding. The unexpected has always played a central role in shaping identity. Yet algorithms operate through patterns. They learn from what we have already watched, searched, liked and chosen. Their purpose is to provide more of what appears relevant to us. This creates extraordinary convenience. But convenience can also create limitations. If every choice is shaped by previous preferences, the individual may gradually encounter less of what challenges, surprises or transforms them. The algorithm is excellent at recognising who we have been. Human beings are defined partly by who they can still become. This distinction lies at the heart of the debate about digital identity. A person is not simply the sum of past behaviour. Human beings possess the ability to change their beliefs, abandon old habits and discover new purposes. A system based on previous choices can predict tendencies. It cannot fully understand transformation. The philosopher Charles Taylor, in Sources of the Self, argued that human identity develops through the meanings and values people attach to their lives. Individuals understand themselves through relationships, moral commitments and ideas about what makes life meaningful. Identity requires reflection. It requires asking: Why do I value what I value? The digital environment complicates this question because it increasingly reduces the distance between desire and satisfaction. Instead of allowing individuals to wander, discover and sometimes struggle with uncertainty, it often provides immediate suggestions based on existing behaviour. The result is a subtle shift. We move from discovering ourselves to being continuously reflected back to ourselves. The system becomes a mirror. But a mirror that recommends what it wants us to see. This does not mean recommendations are harmful. They can introduce people to knowledge, entertainment and communities they might never have found otherwise. The problem begins when recommendation replaces curiosity. A map is valuable because it helps us navigate. But a life cannot be lived entirely through maps. Some of the most meaningful journeys begin when people choose paths they were never advised to follow. The transformation of identity becomes even more visible in the way people now present themselves to the world. Long before social media existed, the sociologist Erving Goffman examined how individuals manage impressions in everyday life. In The Presentation of Self in Everyday Life, he argued that people often present different versions of themselves depending on their surroundings and audiences. The digital age has not created this tendency. It has amplified it. Online platforms have turned identity into something increasingly visible, measurable and constantly evaluated. The self is no longer only experienced privately. It is displayed through photographs, opinions, achievements and carefully selected moments. A person does not merely exist. A person appears. This creates a new tension between being and performing. The question slowly changes from: “Who am I?” to: “How am I perceived?” The desire for recognition is deeply human. Every society has valued reputation, belonging and acceptance. The problem begins when external approval becomes the primary measure through which individuals understand themselves. Experiences become shaped by their visibility. Achievements become symbols. Opinions become signals of belonging. The private self begins competing with the public self. The danger is not self-expression itself. Digital platforms have allowed millions of people to share ideas, build communities and express identities that may have remained unheard in previous eras. The challenge begins when performance replaces reflection. A person can become highly visible without becoming deeply self-aware. This is where the philosophy of Martin Heidegger becomes relevant. In Being and Time,

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