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Amaal Malik breaks silence on Awarapan 2 song controversy

ByJustpaste.in

Music composer Amaal Malik has responded to the criticism surrounding one of the newly released songs from the upcoming film Awarapan 2, claiming that a coordinated campaign is being carried out against both the movie and its soundtrack.

The sequel stars Emraan Hashmi and follows the 2007 cult classic Awarapan, a film remembered for its emotional storyline as well as its memorable soundtrack. The original movie featured several popular songs, including Toh Phir Aao, Maula Maula, and Tera Mera Rishta, which became fan favorites over the years.

For Awarapan 2, Amaal Malik has been entrusted with composing the film’s music. As part of the soundtrack, he recently introduced a fresh version of Toh Phir Aao, originally performed by Pakistani singer Mustafa Zahid. The recreated track received attention from listeners, with many comparing it to the much-loved original.

The discussion intensified after the release of another song from the film, Ye Awarapan. Soon after it was released, the track sparked mixed reactions across social media. While some listeners praised the composition and vocals, others criticized the new version, leading to an online debate among music fans.

Breaking his silence on the criticism, Amaal Malik shared a statement on X, where he suggested that the backlash was not entirely organic. According to the composer, there is a well-organized public relations campaign being carried out by certain rivals within the film industry who do not want either the film or its music to succeed.

Without naming any individuals or organizations, Malik alleged that paid efforts were being used to influence public opinion against the soundtrack. He argued that such campaigns were unnecessary and advised those behind them to focus their resources elsewhere instead of targeting his work.

In his message, the composer also remarked that people should save their funds for their own future film projects rather than spending money on attempts to damage someone else’s release. His comments appeared to be a subtle response to critics while expressing confidence in the music and the film’s reception.

The statement quickly gained attention online, with fans reacting on both sides of the debate. Supporters defended Malik, saying that online criticism can sometimes be amplified by organized campaigns, while others maintained that audiences are entitled to express genuine opinions about new music. The discussion has continued across various social media platforms since his remarks.

One of the highlights of Ye Awarapan is its vocals by renowned playback singer Arijit Singh. The song marks another notable addition to his extensive catalog and has attracted significant interest from fans eager to hear his latest work. His performance has been widely appreciated by many listeners despite the controversy surrounding the release.

With Awarapan 2 preparing for its theatrical release, the conversation around its soundtrack continues to generate buzz. Whether the debate ultimately affects the film’s success remains to be seen, but the latest exchange has ensured that the movie and its music remain firmly in the spotlight.

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    Gohar Rasheed criticises celebrity culture

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      Actors Gohar Rasheed and Khaqan Shahnawaz recently shared their views on Pakistan’s entertainment industry, discussing everything from celebrity culture and political awareness to the Aurat March and the treatment of artists behind the scenes. During the interview, Gohar Rasheed expressed concern over what he sees as a growing lack of awareness among many celebrities. According to him, several actors and public figures avoid discussing political or social issues, choosing instead to remain neutral in order to protect their public image. Rasheed said that many stars are reluctant to speak not only about Pakistan’s political matters but also about important international events. In his opinion, this tendency to remain silent reflects a broader lack of general knowledge within the entertainment industry. He argued that many personalities are more focused on maintaining popularity than engaging with issues that affect society. He also criticized the industry’s increasing obsession with social media success, saying that likes, followers and online engagement have become more important than artistic excellence. Rasheed noted that many people in showbiz are competing for digital numbers instead of concentrating on improving their craft. He believes this shift has weakened the creative standards of the industry and distracted performers from meaningful storytelling. The discussion later moved to the Aurat March, Pakistan’s annual movement advocating for women’s rights. Rasheed clarified that he supports the overall goals of the campaign, particularly its efforts to promote equality and highlight issues affecting women. However, he said that he disagrees with some of the slogans displayed during the marches, arguing that a few of them can be interpreted as disrespectful or controversial. Using item songs as an example, Rasheed explained that he opposes anything that objectifies women and believes campaigns for women’s rights should communicate their message in a way that appeals to a wider audience. He suggested that activists can continue advocating for equal rights while choosing language that is less likely to divide public opinion or shift attention away from the movement’s main objectives. Khaqan Shahnawaz offered a different perspective, defending the Aurat March against criticism. He argued that many people focus only on a small number of controversial slogans while ignoring the movement’s broader mission. According to Shahnawaz, the campaign raises awareness about serious issues including acid attacks, gender-based violence, femicide and the denial of basic rights to women across Pakistan. He said the Aurat March is one of the few public platforms that consistently highlights these problems and demands meaningful reforms. Shahnawaz added that criticizing the wording of a few slogans overlooks the larger struggle for justice and equality. He also emphasized that the frustration expressed by many participants reflects the realities faced by women who experience discrimination and violence. Shahnawaz further argued that the language used during protests should not overshadow the importance of the causes being raised. In his view, people should pay greater attention to the issues themselves rather than attempting to dictate how protesters express their emotions. He also said that participation in the Aurat March should not automatically define a celebrity’s responsibilities as a public figure. Beyond social issues, Rasheed highlighted long-standing problems within Pakistan’s entertainment industry. He called for fairer treatment of actors, writers, directors and technical crew members, stressing that many professionals continue to face delayed payments and inadequate financial recognition for their work. He also urged producers and production houses to ensure timely compensation and a fair distribution of royalties, saying that everyone involved in creating television and film projects deserves respect and proper remuneration. Rasheed warned against exploiting creative professionals, adding that those who mistreat workers may eventually be held accountable for their actions. On the professional front, Gohar Rasheed is preparing for several upcoming television projects, including Fanaa, Ae Dil, Hasrat and Jindo. Meanwhile, Khaqan Shahnawaz continues to build his acting career with performances in dramas such as Hadsa, Sukoon and My Dear Cinderella, while also maintaining a strong presence as a digital content creator.

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    Whoopi Goldberg shares the secret behind her bigge…

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    Whoopi Goldberg has revealed an unexpected secret behind some of the biggest roles of her career. The acclaimed actress recently explained that several of her most memorable movies came after other actors had turned the projects down. Speaking on the podcast Baby, This Is Keke Palmer, Goldberg, 70, reflected on how she landed the lead role in the 1992 comedy Sister Act. The actress revealed that the movie was originally written with Bette Midler in mind. “They wrote that for Bette Midler,” Goldberg explained, according to reports from PEOPLE and Entertainment Weekly. Midler ultimately passed on the project, opening the door for Goldberg to take on the role that would become one of her career-defining performances. (People.com⁠) How Goldberg found major opportunities Goldberg explained that she eventually developed a strategy for finding roles that other actors had rejected. She asked her agents to send her scripts that had already been turned down by other performers. That approach proved surprisingly successful. In addition to Sister Act, Goldberg landed roles in movies that had initially been developed with other stars in mind. Burglar, for example, had originally been intended for Bruce Willis, while Jumpin’ Jack Flash was initially associated with Shelley Long. (People.com⁠) Goldberg suggested that her experiences were partly connected to the limited opportunities available to Black actresses at the time. Rather than allowing those barriers to stop her, she looked for projects that had been passed over and found ways to make them her own. Sister Act became a career highlight Goldberg eventually transformed Sister Act into a showcase for her comedy and musical talents. She played Deloris Van Cartier, a nightclub singer who enters witness protection and is hidden in a convent. The film became a major success following its 1992 release, with Goldberg’s performance becoming closely associated with the movie. She returned for the 1993 sequel, Sister Act 2: Back in the Habit. (D23⁠) Midler has previously discussed why she rejected the role. She explained that she was concerned her audience would not want to see her wearing a nun’s habit. The decision ultimately gave Goldberg the opportunity to create an iconic character of her own. (People.com⁠) Goldberg’s Hollywood lesson Looking back, Goldberg’s career offers an unusual lesson about opportunities. Some of her most recognizable performances came from projects that initially seemed destined for someone else. Her story also highlights how persistence can create unexpected breakthroughs. Instead of waiting for Hollywood to offer her the obvious choices, Goldberg searched for opportunities others had overlooked. Decades later, Sister Act remains one of her signature films, proving that sometimes the role that was written for someone else can become the performance audiences remember forever.

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    Coalitional fallout as violence and electoral fraud claims mar Azad Kashmir elections

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