violence against balochistans
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Violence against Balochistan’s people is  futil…

QUETTA: Balochistan Chief Minister Mir Sarfaraz Ahmed Bugti has criticised extremist elements for attempting to draw the Baloch population into a cycle of violence, saying attacks on infrastructure ultimately hurt ordinary citizens and undermine the province’s development.

Speaking at the inauguration of the “Rasool-e-Rahmat (PBUH)” calligraphy exhibition, Bugti said the destruction of bridges, roads and commercial transport directly affects livelihoods and restricts economic opportunities for local communities.

The chief minister said the provincial government would organise an international calligraphy exhibition, “Bayan-ul-Marsoos”, in Quetta next year, bringing together prominent artists and calligraphers from Turkey and other parts of the Islamic world.

He said such international cultural events would help project Balochistan as a peaceful region with strong cultural and artistic traditions. He added that hosting major programmes around Pakistan’s Independence Day would also demonstrate the province’s potential to the international community.

Discussing regional and international developments, Bugti said Pakistan’s growing cooperation with Saudi Arabia and Turkey reflected an evolving geopolitical landscape. He maintained that the defence cooperation was aimed at promoting security and peace rather than aggression.

Bugti also expressed confidence in Pakistan’s future, praising the leadership of Prime Minister Shehbaz Sharif, President Asif Ali Zardari and Chief of Army Staff General Asim Munir. He said no force could stop Pakistan from moving towards what he described as a decisive victory.

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    Heavy rain floods Rawalpindi, Islamabad as Nullah …

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    Mehar Bano’s fake death prank reel receives backlash

    A reel that actress and writer Mehar Bano posted while on a trip to northern Pakistan has gone viral for all the wrong reasons, with many viewers finding the premise of the video deeply unfunny and some expressing genuine alarm before realising it was staged. Mehar Bano, known for her bold screen presence and her work across Pakistani dramas and films, was on vacation with a group of friends when they decided to create a prank reel built around the concept of her fake death. The video was filmed in the style of a breaking Pakistani news report, with Mehar lying motionless on a rock while her friends played the roles of reporters and devastated family members lamenting that their holiday had been ruined by her sudden passing. The production was deliberately styled after the kind of dramatic live television reporting that Pakistani news channels are known for, clearly intended as satire. The internet, however, was not amused. The backlash was immediate and pointed. Comments flooded in from viewers who found the death prank concept distasteful rather than clever. “I actually thought she died,” wrote one person, capturing the alarm that the video initially triggered before its prank nature became clear. Another was far blunter in their assessment, writing simply, “What a third class act.” A third commenter expressed their reaction without ambiguity: “I did not find this funny.” The response reflects a broader sensitivity in Pakistani digital culture around death-related humour, particularly when it is framed as breaking news. For a country where audiences have frequently received genuinely distressing news about public figures through social media and news channels, a video that mimics that format as a prank occupies uncomfortable territory. What the creators of the reel may have seen as a piece of satirical comedy landed for many viewers as something that was using a format associated with real loss and real grief for the sake of social media engagement. The criticism also reflects something about the evolving relationship between Pakistani celebrities and their online audiences. There is a growing expectation that public figures, particularly those who occupy cultural space as artists and writers, should bring a certain level of thoughtfulness to the content they share publicly. For those who follow Mehar Bano and appreciate her work, the reel felt like a misalignment between the intelligence they associate with her and the specific choice she made here. Mehar Bano has not publicly responded to the backlash or addressed the criticism of the reel at the time of writing. The video remains shared on her Instagram account, where the comment section continues to reflect the divided reaction it has generated.

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    Erdogan says Makkah defence pact could expand across region

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    Rs120bn PRI subsidy ends as banks take over costs …

    Islamabad: The government has stopped providing the Pakistan Remittance Initiative subsidy, which reached Rs120 billion, saying the country’s financial difficulties make it impossible to continue the support under the current budget. Banks have agreed to absorb the related costs themselves to keep overseas Pakistanis sending money through official channels. The development puts the spotlight on the future of Pakistan’s remittance system, which depends heavily on money sent home by Pakistanis working abroad. The government had previously used subsidies to help banks facilitate these transfers, but curtailed that support last year. The Governor of the State Bank of Pakistan informed the Senate Standing Committee on Finance and Revenue that the government had initially provided subsidies to banks under the Pakistan Remittance Initiative to facilitate remittances from overseas Pakistanis. The total subsidy provided by the government reached Rs120 billion. However, the financial pressure on the government has now made it difficult to continue paying this amount. The subsidy could not be continued in the current budget because of prevailing fiscal constraints. Instead, banks have decided to bear the costs linked to facilitating remittances from their own resources. The decision means that banks will continue providing the service to overseas Pakistanis even though the government can no longer provide the previous level of financial support. The Pakistan Remittance Initiative was discussed by the committee during its meeting at Parliament House in Islamabad on August 25, 2026, under the chairmanship of Senator Saleem Mandviwalla. The committee considered the government’s decision important because remittances sent by Pakistanis living and working abroad are a major source of foreign currency for the country. The State Bank told the committee that banks decided to continue bearing the associated costs so that the flow of remittances would not be disrupted. The committee appreciated the banks’ decision but also decided to examine their actual performance. Selected banks will therefore be invited to the committee’s next meeting to explain their performance and contribution to the remittance sector. The move comes at a time when the government is facing tight financial conditions and has been forced to reduce or reconsider spending commitments. The end of the Rs120 billion subsidy raises an important question about how the remittance system will operate in the longer term if banks continue to carry the costs without government support. For millions of Pakistanis working overseas, remittances are an important way of supporting families at home. These transfers help families pay for everyday needs and also bring foreign currency into Pakistan. The government’s decision does not mean that the remittance service has stopped. Instead, banks have agreed to continue facilitating transfers while paying the related costs themselves. The Senate committee has now moved to check whether banks are fulfilling this responsibility effectively and whether overseas Pakistanis are receiving proper services. The next meeting is expected to provide the committee with a clearer picture of how banks are handling the change after the withdrawal of the government subsidy. The key issue remains whether banks can continue carrying the financial burden while maintaining an efficient and reliable remittance system for overseas Pakistanis. The Rs120 billion figure also shows the scale of government support previously used to encourage and facilitate remittances through the formal banking system.

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